Steinbeck and Dag Hammarskjöld

Dag Hammarskjöld standing, smiling, and looking out a barn door.
Dag Hammarskjöld

I had the pleasure of reading this remarkable correspondence between John Steinbeck and Dag Hammarskjöld, the 2nd secretary-general of the U.N. The letters offer a fascinating glimpse into Hammarskjöld’s wide-ranging intellectual and artistic interests. It also reveals the deep respect that developed between two men who, though working in very different arenas — shared a profound moral seriousness, commitment to humanity and an unwavering concern for social justice.

You can check out the letters here.

Steinbeck and artist Bo Beskow in Sweden at Midsommar festival, 1957.
Steinbeck and artist Bo Beskow at Beskow’s farm, Midsommar, 1957

Steinbeck and Hammarskjöld were introduced by their mutual friend, Swedish artist Bo Beskow. Their correspondence shows that Steinbeck felt a deep admiration for Hammarskjöld, a man entrusted with immense global authority who nonetheless embodied humility, integrity, and an instinctive sense of moral responsibility. Steinbeck saw in him something rare: a natural leader, a truly ethical man who could be trusted to place the public good above personal ambition or political expediency, a living example of principled leadership.

Their exchange stands as a testament not only to Hammarskjöld’s engagement with the arts, but also to the mutual recognition between two figures committed to the dignity and moral responsibility of humankind. 

Among the letters I was fascinated by Steinbeck’s proposal to the United Nations, and enjoyed getting a glimpse into Steinbeck’s personality and friendships. The pictures posted here are from the Midsommar celebration in Sweden that Steinbeck, Hammarskjöld, and Beskow (as well as their families) attended. Steinbeck writes in one of the letters about his hilarious “frog hop” around the Midsommar pole on Bo Beskow’s farm. 

Steinbeck dancing around at Midsommar celebration at Bo Beskow's farm in Sweden, 1957.
Steinbeck dances around the Maypole

Images also include a portrait of Steinbeck painted by their friend Bo Beskow.

Portrait of Steinbeck by Swedish painter Bo Beskow.
Portrait of Steinbeck by Bo Beskow. On display at Martha Heasley Cox Center, SJSU

Pictures courtesy of the Martha Heasley Cox Center for Steinbeck Studies, San Jose State University.

Steinbeck Now Moves to San José State

SAN JOSE, CA: The Martha Heasley Cox Center for Steinbeck Studies at SJSU announces the acquisition of Steinbeck Now, the leading source for news about Steinbeck’s influence in the contemporary world. Founded by independent scholar Will Ray in 2013, SteinbeckNow.com has earned a reputation for thoughtful articles about Steinbeck’s life, work, and legacy, as well as topics that intersect with Steinbeck in one way or another.

SJSU’s Cox Center for Steinbeck Studies

Founded in 1973 as the Steinbeck Research Center, the Cox Center is now the largest Steinbeck archive in the world, with a vast collection of manuscripts, artifacts, and other resources related to the life and work of California’s first literary Nobel Laureate. SteinbeckNow.com joins the Cox Center’s portfolio of digital resources for Steinbeck enthusiasts that includes the Cox-Manville Steinbeck Bibliography, which provides citations to nearly 14,000 secondary sources; Steinbeck in the Schools, providing free curriculum for K-12 teachers; and the Steinbeck Center Photo Archive, offering over 2600 images.

Under the direction of Director Nick Taylor and Archivist Peter Van Coutren, the Cox Center plans to continue publishing timely and relevant articles on Steinbeck Now. And of course, the archive of hundreds of past articles will remain available for all. If you are interested in writing an article for the site, we encourage you to contact the Center at steinbeck@sjsu.edu.

Salinas, California Poetry Slam Invites Submissions

Image for poetry slam

Most Steinbeck books are fiction, but the Salinas, California native also wrote poetry in school and got better grades in versification than he did in short story writing at Stanford. This year’s Big Read poetry slam at the National Steinbeck Center in Salinas honors Steinbeck’s gift for verse, and the author’s sensitivity to race and class, with an invitation to writers to compose a poem in response to Claudia Rankine’s Citizen: An American Lyric, a 2017 Big Read book selection that reflects on racism in America. This is the fourth year the National Steinbeck Center has participated in the Big Read, a community literacy initiative of the National Endowment for the Arts, but the first to feature a poetry slam—the idea of Jenna Garden, a Stanford student and National Steinbeck Center summer intern. Poems submitted by September 5 will be read aloud to a panel of judges who will award cash prizes on September 8. This year’s Big Read in Salinas, California also features a film series at the Maya Cinemas multiplex. The series kicks off August 28 with Lifeboat, the 1944 movie for which Steinbeck, who wrote the script, did not want credit because of racial stereotyping by the director Alfred Hitchcock, a man Steinbeck privately described as a middle-class English snob.

American Literature Conference Considers Steinbeck in War and Peace

Cover image of John Steinbeck's World War II dispatches

A pair of panels at the annual conference of the American Literature Association, held May 25-28, 2017 in Boston, Massachusetts, examined aspects of John Steinbeck’s writing in times of war and peace. Thomas Barden, professor emeritus at the University of Toledo, discussed race and racism in Lifeboat, Steinbeck’s World War II novella-screenplay, while Douglas Dowland of Ohio Northern University focused on the dispatches and letters Steinbeck wrote from Vietnam 20 years later. Steinbeck’s novels were also the subject of attention by speakers: To a God Unknown (Ryan Schlesinger, University of Tulsa); Cannery Row and Sweet Thursday (Christian Gallichio, University of Massachusetts-Boston), and Of Mice and Men (Lori Whitaker and Mimi Gladstein, University of Texas-El Paso). The focus of four single-author websites devoted to his life, work, and influence, John Steinbeck was featured at annual conferences of the American Literature Association in San Francisco in 2012 and again in 2016.

Praise for the Salinas Valley From The New York Times

david-laws-east-of-eden-15

A travel feature in the February 9 New York Times focused on food and wine in Carmel-by-the-Sea and Salinas, California also paid respects to East of Eden, John Steinbeck’s fictional account of bygone days in the Salinas Valley, where agriculture is still king. If you enjoy eating, drinking, and Steinbeck in that order, What to Find in Salinas Valley: Lush Fields, Good Wine and, Yes, Steinbeck is worth your time, whether your summer travel plans include grazing your way through Steinbeck Country or packing East of Eden with the lemonade and sandwiches for an afternoon getaway closer to home.

Photograph of the Salinas Valley by David Laws.