Archives for June 2017

John Steinbeck Loved This Family Home in Watsonville, California, and So Will You

Image of Rodgers family home, Watsonville, California

For John Steinbeck, moving on in life meant leaving family homes—and friends—behind in California, starting with Salinas, where the Steinbeck family home on Central Avenue has become a living museum made possible in part by gifts of memorabilia from John Steinbeck’s oldest sister, Esther. The 11th Street cottage in Pacific Grove where Steinbeck often stayed when he was poor, single, or hurting remains in the extended family, but the pair of houses in Los Gatos where he lived with his wife Carol and wrote the books that made him famous both belong to strangers now. The bungalow he bought on Eardley Avenue in Pacific Grove when the marriage faltered and he needed writing space belongs to a bed and breakfast today, but it can be rented and is readily seen from the street. So is the historic adobe in Old Monterey that Steinbeck purchased with his second wife before abandoning California for New York, where he chose to live with Elaine, his third wife, until he died.

Image of Rodgers House interior today

Visit Rodgers House at Santa Cruz County Fairgrounds

Through it all, the family home John Steinbeck kept coming back to was his sister Esther’s house in Watsonville, California, the Pajaro Valley farming community nestled between the mountains and the sea northwest of Salinas, along the Monterey-Santa Cruz county line. Esther moved there to teach before marrying Carrol Rodgers, a prosperous rancher-farmer, and raising three daughters who called John Steinbeck uncle. The Rodgers family home on East Lake Avenue, built in the 1870s by Esther’s husband’s forebears, was bigger than any of the houses owned by Steinbecks in Salinas, Los Gatos, or Pacific Grove, but it was warm and inviting and popular with extended family members, including John. Though John Steinbeck became controversial and Carrol Rodgers remained distant, Esther loved her brother and welcomed him when he came to Watsonville. Evidence that Steinbeck enjoyed visiting the Rodgers household, wherever he happened to be living at the time, can found in letters and photographs from the 1930s to the 1960s on view at the home. After Esther died, friends and family members stepped in to preserve the house and move it to the Santa Cruz County Fairgrounds, where it’s open to the public by appointment. Call 831-724-5671.

Interior photo of Rodgers House today courtesy Dale Bartoletti.

 

How John Steinbeck’s In Dubious Battle Helps Us Navigate Social Discord

Image of scene from James Franco's film "In Dubious Battle"

Rarely since the Great Depression has our country been as polarized and angry as it is today. On television, in newspapers, on social media, around the office water cooler, in line at the supermarket, even at the family dinner table, there is constant clashing and creating of divisions. Warring political parties, “special interest” groups competing for social change, and an endless series of labels–liberal and conservative, Republican and Democrat, libertarian or evangelical–work to separate us from one another. More and more, Americans are being asked to take sides in this battle of interests and ideas, magnified by social media and the 24-hour news cycle. Inserting sanity into the crock pot of conflicting ideologies can be challenging. Reading John Steinbeck, one of America’s greatest writers and keenest observers, offers a way out of the insanity.

Rarely since the Great Depression has our country been as polarized and angry as it is today.

Eighty years before it was made into a mixed-review movie by the mercurial actor-director James Franco, Steinbeck’s Great Depression labor novel In Dubious Battle explored the complex relationship between the individual and the group, sometimes referred to in Steinbeck’s writing by its more malevolent moniker, “the mob.” Using a strike-torn California apple orchard as his backdrop, Steinbeck deep-dives into phalanx or “group-man” theory, grittily exposing the causes and consequences of a volatile, violent labor struggle involving pickers and organizers, growers and landowners, vigilantes and victims, and outside agitators who are never called “communists” but clearly are.

Steinbeck’s Great Depression labor novel explored the complex relationship between the individual and the group, sometimes referred to in Steinbeck’s writing as ‘the mob.’

In his introduction to the 1995 Penguin Books edition of Steinbeck’s Log from the Sea of Cortez, Richard Astro, Provost Emeritus and Distinguished Professor of English at Drexel University, writes that Steinbeck’s ideas on “group-man” thinking were influenced by the writing of the California biologist William Emerson Ritter (1856-1944). According to Astro, Ritter thought that “in all parts of nature and in nature itself as one gigantic whole, wholes are so related to their parts that not only does the existence of the whole depend upon their orderly co-operation and interdependence of the parts, but the whole exercises a measure of determinative control over its parts.” Ritter also believed that “man is capable of understanding the organismal unity of life and, as a result, can know himself more fully. This, says Ritter, is ‘man’s supreme glory’ – not only ‘that he can know the world, but he can know himself as a knower of the world.’”

Steinbeck’s ideas on ‘group-man’ thinking were influenced by the writing of the California biologist William Emerson Ritter.

Steinbeck illuminates “group-man” thinking in much of his Great Depression fiction, especially the idea that the whole is more than the sum of its parts. But this central tenet of Ritter’s theory is voiced most clearly by the character Doc Burton in the 1936 novel whose title—In Dubious Battle—Steinbeck took from John Milton’s 17th century poem Paradise Lost. Explaining his participation and fascination with the apple pickers’ strike, Burton says, “I want to watch these group-men, for they seem to be a new individual, not at all like single men. A man in a group isn’t himself at all, he’s a cell in an organism that isn’t like him anymore than the cells in your body are like you. I want to watch the group, and see what it’s like. People have said, ‘mobs are crazy, you can’t tell what they’ll do.’ Why don’t people look at mobs as men, but as mobs? A mob nearly always seems to act reasonably, for a mob.”

The central tenet of Ritter’s theory is voiced most clearly by the character Doc Burton in the 1936 novel whose title Steinbeck took from Milton.

As marches, movements, protests, and counter-protests increase in volume and virulence, Steinbeck’s insights into the behavior of “group-man,” through the words and actions of Doc Burton, can be viewed as prescient indeed, particularly by Americans who know their history. Midway through the book, in a passage worthy of one of history’s greatest thinkers–a passage I submit provides an outlook on life that, if adopted, could alleviate much of the rancor in America–Burton says this to the communist agent sent from San Francisco to organize the orchard strike: “That’s why I don’t like to talk very often. Listen to me, Mac. My senses aren’t above reproach, but they’re all I have. I want to see the whole picture–as nearly as I can. I don’t want to put on the blinders of ‘good’ and ‘bad’, and limit my vision. If I use the term ‘good’ on a thing I’d lose my license to inspect it, because there might be bad in it. Don’t you see? I want to be able to look at the whole thing.”

Steinbeck’s insights into the behavior of ‘group-man’ can be viewed as prescient, particularly by Americans who know their history.

In “John Steinbeck, American Writer,” Susan Shillinglaw, Professor of English at San Jose State University, notes that “in most of his fiction Steinbeck includes a ‘Doc’ figure, a wise observer of life who epitomizes [Steinbeck’s] idealized stance of the non-teleological thinker.” Non-teleological thinking, she explains, is “‘is’ thinking” marked by “detached observation” and a “remarkable quality for acceptance.” Reinforcing Steinbeck’s obeisance to this philosophy–an open and tolerant approach to ideas and to the people who believe in them that is desperately needed today–Shillinglaw highlights a journal entry made by Steinbeck in 1938: “[T]here is a base theme. Try to understand men, if you understand each other you will be kind to each other. Knowing a man well never leads to hate and nearly always leads to love.”

‘[T]here is a base theme. Try to understand men, if you understand each other you will be kind to each other. Knowing a man well never leads to hate and nearly always leads to love.’

Eschewing the American impulse to classify, pigeonhole, prejudge, discount, and disparage opposing ideas and those who hold them, Doc Burton prescribes detached observation and personal experience as an alternative to blind theory and blind hatred. Looking back on the unbiased Doc-like worldview favored by his father, Thom Steinbeck told an interviewer in 2012 that Steinbeck always ended his beautifully written letters to his son with this bit of advice: “Good luck. Find out on your own.” Finding out on our own is a good way, perhaps the only way, to survive the dubious battle of ideologies raging within and around us in 2017.

University of Oklahoma Names David Wrobel Dean

Image of David Wrobel, Steinbeck and American history scholar

David Wrobel, professor of American history at the University of Oklahoma, has been named interim dean of the school’s College of Arts and Sciences by David Boren, OU’s president. A specialist in the history of the American west and chair of OU’s history department, Wrobel is the author of Global West, American Frontier: Travel, Empire and Exceptionalism from Manifest Destiny to the Great Depression; Promised Lands: Promotion, Memory and the Creation of the American West; and The End of American Exceptionalism: Frontier Anxiety from the Old West to the New Deal. He teaches an interdisciplinary course in the College of Arts and Sciences on Steinbeck, the focus of his cognate-field work at Ohio University, where he studied Steinbeck with Robert DeMott and the late Warren French as part of his PhD curriculum in American intellectual history.

On the Road with Family in John Steinbeck’s California

Image of Janet Ward, director of University of Oklahoma's Humanities ForumDavid Wrobel received preliminary news concerning his appointment in early June while driving from the National Steinbeck Center in Salinas, California, to Pacific Grove, where he and his wife, Janet Ward (shown here), were vacationing with their daughter and sons at the Eardley Avenue cottage in which Steinbeck and Ed Ricketts began writing Sea of Cortez. His current book projects include America’s West: A History, 1890-1950, scheduled for publication in January 2018; We Hold These Truths: American Ideas and Ideals, from the Pre-Colonial Era to the Present; and John Steinbeck’s America, 1930-1968: A Cultural History. A native of London, England, he earned his undergraduate degree in history and philosophy at the University of Kent. Janet Ward, an interdisciplinary scholar of urban studies, visual culture, and European cultural history, is a professor history at the University of Oklahoma, where she directs the school’s Humanities Forum.

How Steinbeck’s German Paperback Publisher Stayed Alive in Hitler’s Third Reich

Cover image from Strange Bird: The Albatross Press and the Third Reich

Like other Anglo-American writers of German descent in the 1930s, John Steinbeck regarded the rise of the Third Reich with an admixture of anger, resentment, and resignation. Strange Bird: The Albatross Press and the Third Reich, a bright new general-interest book from Yale University Press, reminds admirers of Steinbeck’s writing today that reading his books in Nazi-occupied territory—particularly the 1942 novelette The Moon Is Down—could be downright dangerous. As author Michele K. Troy, a professor of English at the University of Hartford points out, however, the plucky German paperback publisher of Steinbeck, Hemingway, and other left-leaning English-language writers managed to stay in business from 1933 to 1941, despite the Third Reich’s draconian policy toward domestic dissent. But as Douglas J. Johnston notes in a recent book review, Hamburg’s Albatross Press “kept Anglo-American literature—and thereby Anglo-American ideas and values—alive in the heart of the Third Reich” not by doing good but by being profitable, producing popular paperback editions for foreign distributors who paid Germany in badly needed dollars and pounds. The firm’s iconic albatross (a source of guilt as well as a harbinger of hope) also paved the way for Penguin Books, Steinbeck’s equally enterprising paperback publisher in the United States.

John Steinbeck Surprises Visitors in Northern Ireland

Image of Anne Hauk and sons at Giant's Causeway in Northern Ireland

Imge of John Steinbeck mural in Bushmill's, Northern IrelandWhile traveling through Northern Ireland recently with her husband Tom O’Connell and sons Wyatt and Henry, Anne Hauk discovered this mural of John Steinbeck peering down from a building in the coastal town of Bushmill’s, three miles from Giant’s Causeway, the family’s destination. Steinbeck’s Ulster forebears emigrated to the U.S. during the 19th century famine that decimated the local population; 100 years later their celebrated grandson could be seen peering up from a glossy American ad promoting Ballantine’s Ale. Steinbeck, a sometimes self-effacing writer with an instinct for gadgets and whiskey brands, would be less surprised but also less gratified than Anne Hauk was by the apparition at Bushmill’s, home of Ireland’s legendary Black Bush label.

Image of Ballantine Ale ad featuring John Steinbeck

A resident of San Francisco, Anne is the daughter of Steve Hauk, an art expert and playwright from Pacific Grove who has written a series of short stories about Steinbeck, Salinas, Monterey, and the bibulous culture of bygone Cannery Row. A Jack Daniels-John Steinbeck fan, Steve identified the source of the image in Bushmill’s as a photo of Steinbeck by Sonya Noskowiak, a member of the San Francisco photography collective f/64. In East of Eden, the autobiographical novel Steinbeck was writing when the Ballantine ad appeared, Steinbeck’s Grandmother Hamilton, a hard-shelled teetotaler, makes her husband’s life miserable with religion. But Sam Hamilton had the last word. A sympathetic character given to imbibing with friends when she wasn’t looking, he is the subject of a 2016 BBC television program on Northern Ireland’s contribution to the culture of the United States. That Steinbeck would toast.

Family travel photos courtesy Tom O’Connell.

 

American Literature Conference Considers Steinbeck in War and Peace

Cover image of John Steinbeck's World War II dispatches

A pair of panels at the annual conference of the American Literature Association, held May 25-28, 2017 in Boston, Massachusetts, examined aspects of John Steinbeck’s writing in times of war and peace. Thomas Barden, professor emeritus at the University of Toledo, discussed race and racism in Lifeboat, Steinbeck’s World War II novella-screenplay, while Douglas Dowland of Ohio Northern University focused on the dispatches and letters Steinbeck wrote from Vietnam 20 years later. Steinbeck’s novels were also the subject of attention by speakers: To a God Unknown (Ryan Schlesinger, University of Tulsa); Cannery Row and Sweet Thursday (Christian Gallichio, University of Massachusetts-Boston), and Of Mice and Men (Lori Whitaker and Mimi Gladstein, University of Texas-El Paso). The focus of four single-author websites devoted to his life, work, and influence, John Steinbeck was featured at annual conferences of the American Literature Association in San Francisco in 2012 and again in 2016.