Archives for November 2020

John Steinbeck’s Anglo-Americanism Explained

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In 1853, the chief book critic for The Spectator wrote an unfavorable review of Charles Dickens’s novel Bleak House that reflected the high-minded tone of the weekly magazine, founded in 1828 by the Scottish reformer Robert Stephen Rintoul. An admirer of Addison and Steele who also believed that publishers should be editors, Rintoul sold The Spectator in 1858 to a pair of American investors with less interest in Augustan style than in preserving Anglo-American relations in the run-up to our civil war. During Steinbeck’s lifetime, The Spectator opposed capital punishment, supported decriminalizing homosexuality, and criticized American involvement in Vietnam, providing a semi-safe perch for literary- and libertarian-minded Tories like Boris Johnson, who became its editor in 1999. The history of the magazine’s “special relationship” with Steinbeck’s America is helpful when reading the November 28, 2020 review of William Souder’s life of John Steinbeck—“No writer was better suited to chronicle the Depression than John Steinbeck”—by the current book critic, Scott Bradfield. A novelist-essayist and California native, Bradfield lives in London, where John Steinbeck spent time in 1943 observing their war without meeting George Orwell, “the British writer he most resembles.” Like Orwell, “John Steinbeck didn’t believe in God—but he didn’t believe much in humanity either.” Like Orwell, “he never stopped sending himself on expeditions to better understand the world he wrote about.” By providing “a narratively energetic look at a man who suffered many of the same weaknesses as his characters — for booze, benzedrine, depression and bad marriages,” Mad at the World shows how Steinbeck’s depression and Depression became a form of continuity, motivating his work and connecting him with the world. Like Orwell’s black lung, Churchill’s Black Dog, or the spirit of Anglo-American solidarity enabled and enshrined by The Spectator, Steinbeck’s depression was more than a metaphor.

mad-at-the-worldMad at the World: A Life of John Steinbeck was released by W.W. Norton on October 13, 2020.

 

John Steinbeck Awardees Discuss “Giving Back”

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A pair of celebrity philanthropists with marquee humanitarian projects and progressive political agendas will discuss “Giving Back” in a live-stream event that will end with one receiving the 2020 John Steinbeck Award, given by the Martha Heasley Cox Center for Steinbeck Studies “to honor an artist, thinker, activist who has made a significant contribution to causes that matter to the common person.” Sponsored by the Commonwealth Club of California, the online event features master chef and World Central Kitchen founder José Andrés, recipient of this year’s award, and the actor Sean Penn, who won in 2004. Tickets to the November 30 live-stream are $5.00 for Commonwealth Club members and $10.00 for non-members.

Composite image of José Andrés and Sean Penn courtesy Commonwealth Club of California.

The Best Introduction to Steinbeck’s Greatest Decade

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The Western History Association, a professional society for scholars of the American West, was founded in 1961, the year John Steinbeck published his final novel, The Winter of Our Discontent, and wrote the final version of Travels with Charley, the work of “creative nonfiction” that continues to attract readers, and controversy, 60 years after Steinbeck’s road trip in search of an America he said he no longer understood. The Western history organization planned to hold its annual meeting in Albuquerque this year; fortunately for fans of John Steinbeck, having to meet online instead meant that the association’s October 14, 2020 presidential address by David Wrobel is now available to anyone looking for the best video introduction to John Steinbeck’s greatest decade of writing, from In Dubious Battle, “The Harvest Gypsies,” Of Mice and Men, and The Grapes of Wrath to The Moon Is Down and Cannery Row. Watch “Steinbeck Country and the America West” and find out how this writing became a British-born historian’s “window on the American West and nation,” from the New Deal to the Great Society—and how “Jeffersonian agrarian myopia” led to “racial blindness” in The Grapes of Wrath, and “creative fictions” about Oklahoma by the author of Travels with Charley.

Image of David Wrobel courtesy of the University of Oklahoma.