Archives for January 2018

John Steinbeck Returns to Pacific Grove on February 11

Image of February 11, 2018 Pacific Grove Heritage Society event poster

The Pacific Grove Heritage Society is an appropriate host, and the Pacific Grove Performing Arts Center an appropriate venue, for Pacific Grove author and art expert Steve Hauk to talk about the writing of Steinbeck: The Untold Stories—a collection of 16 short stories inspired by people, places, and incidents from the life of the Nobel Laureate who did much of his writing at the Pacific Grove cottage built by his family more than 100 years ago. Presenting Steve Hauk on John Steinbeck fits the mission of the Heritage Society, to raise public awareness of local history and architecture, and the purpose of the Performing Arts Center, built in 1923 to accommodate concerts and lectures—a popular pastime in Pacific Grove since its founding as a Chautauqua assembly ground in 1875. The annual meeting of the Heritage Society featuring Steve Hauk starts at 2:00 p.m., Sunday, February 11, and is open to the public. The Pacific Grove Performing Arts Center is located on the campus of Pacific Grove Middle School at 835 Forest Avenue. Street parking is free and donations are tax-deductible.

 

2018: Year of the Women in The World of John Steinbeck

Image of 2018 John Steinbeck festival poster

Three sisters. Three wives. Three novels with female characters who are larger than life. Inspired by Ma Joad’s enduring example in The Grapes of Wrath, this year’s Steinbeck Festival will celebrate the women in John Steinbeck’s life and fiction over three days in May, at three venues associated with women Steinbeck cherished or invented. Sponsored by the National Steinbeck Center in Salinas, California, the festival opens on Friday, May 4, and features an afternoon of seminars at Stanford’s Hopkins Marine Center in Pacific Grove—where Steinbeck and his sister Mary studied biology as undergraduates—tours of the nearby “Doc” Ricketts lab where female visitors from Dora Flood’s place were always welcome in Cannery Row, and a full day of speeches and fun in the town where Steinbeck was a born and grew up, a slightly spoiled only son, and Cathy runs her brothel in East of Eden, without Dora’s kindness, Ma Joad’s goodness, or the nurturing instinct of Steinbeck’s mother, sisters, and wives (save one). Speakers include Richard Astro, the author of John Steinbeck and Edward F. Ricketts; Mimi Gladstein, an expert on women in American fiction and the author of a study of Steinbeck’s female characters with the intriguing title “Maiden, Mother Crone”; and Susan Shillinglaw, director of the National Steinbeck Center and author of Carol and John Steinbeck: Portrait of a Marriage. A full schedule of events and information about tickets and logistics can be found on the National Steinbeck Center’s festival page.

New Republic Updates John Steinbeck and Robert Capa’s Russian Journal in Pictures

john-steinbeck-robert-capa

Like John Steinbeck’s 1940 expedition to Baja, California with the marine biologist Ed Ricketts, his 1947 trip to Russia with the war photographer Robert Capa yielded a book that reveals as much about the relationship of the co-authors as it does about the subject. Like Ricketts, Steinbeck’s collaborator in writing Sea of Cortez, Capa was Steinbeck’s boon companion and opposite, equally accomplished and adventurous but lighter on his feet and better with women and strangers. A photo essay published this week in New Republic, 70 years after the publication of A Russian Journal, displays a selection of Capa’s black-and-white images next to color photos taken by Thomas Dworzak when he and Julius Strauss recapped the trip recorded in A Russian Journal to show how Russia has changed since 1947. Steinbeck enjoyed the company of everyday Russians, who weren’t that different from Americans when encountered face-to-face. He also enjoyed Robert Capa, as shown in Capa’s photo of Steinbeck looking at their reflection, a mirror of the relationship revealed in A Russian Journal.

Photograph by Robert Capa courtesy International Center of Photography/Magnum.

Mothers of Invention: New Life Poem by Roy Bentley

Image of women working in German factory

The Fan

They are coming out of the factory walls—
those who might like to take her upright fan.
Hard young women winging through the hanging
strips, the rubber talons moving on conveyors.
And not all black women, but the one who
takes hold of it, claiming its positioning
in the air-freighted heat—she’s black.
And at least as fierce as my mother is,
or so my mother tells the story everafter.
Since she is from Neon, Kentucky, Nettie,
my divorced mother, the n-word starts flying.
And they set a time to meet to settle things.
After the shift. In the Inland parking lot.
And the other women show up to witness
the fireworks of a pissed-off Womanhood
this scorching August, their vulturey heads
bobbing as if to say Fuck her up! and Show her
who’s boss! to the American capitalist enterprise.
Which every night feeds on fear of depredation
until the sun unleashes its talons of gold and
red then even more gold, spiking morning
machine noises with pugilistic talk and
the threat of worse. My abandoned mother
kept the fan and she kept it blowing its fixed
or oscillating breezes her way that summer.
She had the job because ex-brother-in-law
William “Big Bill” Hensley was president
of the United Autos Workers Local 696—
Bill adored Mother, and called her Nettie
Dolores whenever he stopped by the house,
a brick 3-bedroom house my father left her
to pay for. And so she didn’t have to fight,
didn’t have to call the other woman names
and eventually reach in and get her a handful
of afro, though she would have. Instead, Nettie
Potter Bentley said she would requisition two fans.
One to blow away constant sweat from having
to cut and hang and send on the rubber strips
for 1964’s General Motors cars and trucks.
One to blow away the heat of resentment.