The Winter of Our Discontent Deepens as Trumpettes Party

Image of Trumpettes with portrait of Donald Trump at Mar-a-Lago

It’s doubtful either Donald Trump or the minority of Americans who just elected him ever read The Winter of Our Discontent, John Steinbeck’s prophetic fiction about public and private corruption in America 60 years ago. But for fans of the novel the parallels with our winter of discontent today are troubling. Cheating and self-dealing, inequality and incivility, anti-immigrant hatred and hysteria—is the USA less or more selfish today than it was when Steinbeck wrote his cautionary tale? For Donald Trump and his fans among America’s fraction-of-one-percent, personal profit is the golden rule and goodness can measured in tax cuts and capital gains. Add one word to the line from Richard III quoted in Steinbeck’s title—“Now is the winter of our discontent/Made glorious summer by this sun of New York”—and Shakespeare’s metaphor for an English tyrant’s mood aptly expresses the ardor felt by the Trumpettes of Mar-a-Lago, the palatial club in Palm Beach where Trump now holds winter court. I don’t know if John Steinbeck visited Mar-a-Lago. or encountered Donald Trump before he died, but I’ve had the pleasure of both and I’m pretty sure Steinbeck would take a very dim view.

John Steinbeck’s View of Donald Trump and Mar-a-Lago?

Image of Donald Trump's Palm Beach estate Mar-a-Lago

Before I moved to California and discovered Steinbeck Country I lived in West Palm Beach, where I ran a prominent nonprofit and played the organ at St. Edward’s Catholic Church, “the Kennedy church,” in Palm Beach. Once I substituted at Bethesda-by-the Sea, the Episcopal church where Trump reportedly received applause from attendees on Christmas Eve. I knew Ralph Wolfe Cowan, the artist who painted the Dorian Gray-like portrait of Trump shown in the lead photo of this post. My home in West Palm Beach wasn’t far from the bridge connecting with Palm Beach near Mar-a-Lago, Donald Trump’s spacious domain, so named because it stretches from Lake Worth to the Atlantic. I passed by often on my way to church, and I was a luncheon and gala guest on those occasions when doing my job entailed hobnobbing.

Image of Marjorie Merriweather PostIt’s even possible I toured Mar-a-Lago before Donald Trump, who bought it at a discount from descendants of Post cereal heiress Marjorie Merriweather Post in 1985. A year or so earlier a friend of mine arranged for a private look-see at the estate where Post entertained lavishly when John Steinbeck was alive. By the 1980s the mansion’s faded interior resembled Norma Desmond’s living room in Sunset Boulevard—aging, abandoned, populated by the ghosts of parties and partners past—and John Kennedy was the only ex-president with a known Palm Beach address. To fill this gap, Post willed Mar-a-Lago to the government as a presidential retreat when she died. But the property lies under the flight path of Palm Beach airport, adding to security issues, and before Trump came along the Palm Beach social scene had attracted few of Kennedy’s successors. Johnson wasn’t the Palm Beach type, Nixon and Ford and Reagan enjoyed Walter Annenberg’s hospitality in Palm Springs, and the George H.W. Bushes had close ties to the old money on Jupiter Island, a less pretentious winter enclave an hour north of Palm Beach.

Image of memorial plaque at Mar-a-LagoPalm Beach prejudice presented another problem. Kennedy wasn’t welcome everywhere, even as president, and top-tier social clubs like the one across the road from Mar-a-Lago excluded Catholics and Jews from membership as recently as my time. To his credit, Donald Trump thumbed his nose at this tradition when he opened Mar-a-Lago Club for those with sufficient cash and cachet, regardless of race or religion, in 1995. As a marketing strategy his open-door policy was a winner, attracting socialites and business leaders and making Mar-a-Lago a popular venue for black-tie charity events. Trump’s inauguration committee may be having trouble signing talent, but name entertainers like Vic Damone loved playing Mar-a-Lago, and the evening I spent chatting with Diahann Carroll, Vic’s wife at the time, is my warmest memory of the place. Vanity Fair covered Mar-a-Lago favorably almost from the start, though the tone changed after the editor of the magazine described Trump as a “short-fingered vulgarian.” (“How Donald Trump Beat Palm Society and Won the Fight for Mar-a-Lago was a source of images for this post.)

Image of Christopher HitchensIn 2003 my organization was celebrating its 25th anniversary when the publisher and a retinue from Vanity Fair flew to town in preparation for an expose of Palm Beach social mores. One of the writers in the group—the late Christopher Hitchens, a regular contributor to Vanity Fair—invited me to tag along when a Republican billionaire with a household name hosted dinner at a Palm Beach club that still banned Jews. Rather late in life Hitchens had learned that his maternal grandmother was Jewish, a topic of conversation as we waited outside the club, so I suggested that he ask for a kosher menu once we were inside and seated for dinner. The next day I got a call from the head of the Palm Beach cultural venue where my organization’s anniversary event was about to be held. It happened that his board chairman was an officer of the club—a thin-skinned millionaire who learned, almost instantly, about our quiet indiscretion the night before. I wrote the requisite letter of apology and agreed to keep my mouth shut about the incident, but Christopher seemed gratified when I reported the result to him. He said it proved our point perfectly.

Image of Roy Cohn and Donald TrumpLike John Steinbeck, a writer he admired, Christopher Hitchens was politically astute, egalitarian, and courageous under fire from bullies, Left or Right. Like Steinbeck, he supported America’s pursuit of an unpopular war (in Hitchens’s case, Iraq; in Steinbeck’s, Vietnam) and bravely paid the price. Like Steinbeck, he distrusted power, disliked braggadocio, and detested xenophobia, insult, and incitement to mob violence of the kind seen more than once during Donald Trump’s campaign for president. Roy Cohn, the McCarthy-era lawyer who taught Trump how to play New York hardball, was anathema to Hitchens, as he’d been to Steinbeck when The Winter of Our Discontent was written. The odious combination of compulsive mendacity, obsessive opportunism, and pathological aggression that repelled Steinbeck advanced Cohn’s career and attracted clients. One of them was Donald Trump, the billionaire developer described by Hitchens in 1997 as a “bankrupt real-estate monarch [who] can treat the skyline as his own without any hint of a nasty creditors’ meeting at any of his numerous and lenient banks.” Trump’s Palm Beach ascendancy might have amused Hitchens. But I think it would offend Steinbeck, who ridiculed small-town ambition and conspicuous consumption in The Winter of Our Discontent.

Steinbeck’s California Dreads What Palm Beach Celebrates

Image of John SteinbeckI am unacquainted with the four Trumpettes who posed for Vanity Fair in front of Ralph Cowan’s painting of Donald Trump. But I recognized names from the past when I read reports about holiday festivities at Mar-a-Lago. An outspoken Trumpette quoted by national media outlets once worked for the Democratic county commissioner from West Palm Beach. On New Year’s Day the Palm Beach daily newspaper published an admonishing letter to readers in which she promised that “President-elect Trump will make us financially secure again” and described “the days of massive government waste and corruption” as a thing of the past caused (presumably) by Democrats. Today, more than 30 years after I first met this woman and a decade after leaving Florida for California, I feel about Donald Trump’s Palm Beach as John Steinbeck felt about Salinas, his home town. I’m grateful for the memories but sad for the “dear little town” I used to know. As Mar-a-Lago celebrates and Washington gets ready, the winter of our discontent grows darker by the day here in his home state.

Off Limits: Of Mice and Men And the Death Penalty Today

Image of the death penalty surviving in America

Seventy years after its publication John Steinbeck’s Of Mice and Men continues to stimulate debate, pro and con, about the death penalty. But justifying capital punishment was the last thing on the mind of the author, a liberal thinker who created the character of Lennie to increase our understanding of the mentally challenged and the American underclass. As a defense attorney who admires Of Mice and Men for this very reason, I’m angry that Texas Court of Criminal Appeals Judge Cathy Cochran used Lennie in a 2004 legal opinion about imposing the death penalty when mental capacity is at issue. The “Lennie standard” she proposed continues to have consequences in the courts, and in the lives of the condemned.

Justifying capital punishment was the last thing on the mind of the author, a liberal thinker who created the character of Lennie to increase our understanding of the mentally challenged and the American underclass.

John Steinbeck’s late son Thom, an accomplished writer, was furious about Judge Cochran’s opinion after it was rendered. In a 2012 interview with the Beaumont (Texas) Enterprise, Thom’s wife Gail Steinbeck, an attorney, said that “his ears turned red” when her husband first learned of Ex Parte Briseno, in his view a gross distortion of his father’s meaning. In a statement published by The New York Times on August 8, 2012, Thom complained bitterly about the misconstruction of his father’s intentions in writing Of Mice and Men:

I had no idea that the great state of Texas would use a fictional character that my father created . . . as a benchmark to identify whether defendants with intellectual disability should live or die. My father was a highly gifted writer who won the Nobel Prize for his ability to create art about the depth of the human experience and condition. His work certainly wasn’t meant to be scientific, and the character of Lennie was never intended to be used to diagnose a medical condition like intellectual disability. I find the whole premise to be insulting, outrageous, ridiculous and profoundly tragic. I am certain that if my father, John Steinbeck were here, he would be deeply angry and ashamed to see his work used in this way.

The Supreme Court Considers the Case of John Steinbeck

In 2002 the Supreme Court outlawed the death penalty for the intellectually disabled, but left it to the states to define what constitutes intellectual disability. Since 2004 courts in Texas have used Judge Cochran’s ill-considered Lennie standard to determine intellectual disability in capital punishment cases. Arguing before the Supreme Court last month in Moore v. Texas, the solicitor general of Texas, Scott Keller, bristled when Justice Sonya Sotomayor asked him about the state’s use of the Lennie standard, an illogical jumble concocted from a sentimental—and incorrect—interpretation of John Steinbeck’s character. “The character from Of Mice and Men was never part of the test,” asserted Keller in the state’s defense: “it was an aside [in Judge Cochran’s] opinion.” Justice Sotomayor replied, “But it informed its view of how to judge [intellectual disability],” insisting that Texas clearly “used the Lennie standard.”

Since 2004 courts in Texas have used Judge Cochran’s ill-considered Lennie standard to determine intellectual disability in capital punishment cases.

Questions about Judge Cochran’s odd Of Mice and Men citation—and the quirkiness of a judge relying on a work of literary fiction to support a legal opinion—had been predicted long before oral argument before the Supreme Court began. M. Todd Henderson, a University of Chicago law professor, pointed out the nature of the incongruity in 2008. “Citations to literature are extraordinarily rare in federal appellate court opinions, appearing in only 1 out of every 10,000 federal appellate cases,” he wrote. When judges do cite fictional works in judicial opinions, he continued, “they are most likely to cite to novels for propositions that are closely related to their own work and job.” That’s why it’s baffling that Judge Cochran was reportedly “unfazed” when she learned of Thom Steinbeck’s outrage over her violation of his father’s purpose in writing Of Mice and Men.

Citations to literature are extraordinarily rare in federal appellate court opinions, appearing in only 1 out of every 10,000 federal appellate cases.

John Steinbeck wrote much of Of Mice and Men at the Steinbeck family cottage in Pacific Grove, California. Ironically, Judge Cochran is said to have reread “all of Steinbeck” while living in nearby Monterey, three decades later, in the 1960s. Recently my wife and I traveled to the National Steinbeck Center in neighboring Salinas to celebrate our 15th wedding anniversary. Driving through John Steinbeck’s beloved Salinas Valley, we saw the still poor, still struggling migrant workers toiling under the California sun, like Lennie and George, for subsistence pay. That evening we left our comfortable bed and breakfast to stroll hand-in-hand along the shore celebrated by Steinbeck in Sea of Cortez and Cannery Row. Nowhere, not even in the turbulent tide pools that Steinbeck explored with his wife Carol, did we perceive the death penalty.

Memo to the Supreme Court On Of Mice and Men and the Death Penalty, With Helpful Hints from Literary Criticism

Image of members of the Supreme Court

The August 22 New York Times story by Adam Liptak—“Supreme Court to Consider Legal Standard Drawn From ‘Of Mice and Men’”—suggests that a book by John Steinbeck, like the Bible itself, is open to misinterpretation whenever there is a point to prove. In response to the Supreme Court’s 2002 decision barring execution of the “intellectually disabled,” reports Liptak, “Texas took a creative approach, adopting what one judge there later called ‘the Lennie standard,’” so named for Lennie Small, the mentally handicapped farmhand who kills and gets killed in Of Mice and Men. “This fall, in Moore v. Texas, No. 15-797,” Liptak continues, “the United States Supreme Court will consider whether the Court of Criminal Appeals, Texas’ highest court for criminal matters, went astray last year in upholding the death sentence of Bobby J. Moore based in part on outdated medical criteria and in part on the Lennie standard.”

The story by Adam Liptak suggests that a book by John Steinbeck, like the Bible itself, is open to misinterpretation whenever there is a point to prove.

John Steinbeck explained that his fictional character was based on fact in a 1937 New York Times interview quoted by Liptak. “Lennie was a real person,” Steinbeck told the Times. “He is in an
insane asylum in California right now.” Responding to the misuse of his father’s novel when the Texas case made news in 2012, Thomas Steinbeck—a novelist very much in his father’s image—objected in the strongest terms. “The character of Lennie was never intended to be used to diagnose a medical condition like intellectual disability,” he said at the time. “I find the whole premise to be insulting, outrageous, ridiculous and profoundly tragic [and] I am certain that if my father, John Steinbeck, were here, he would be deeply angry and ashamed to see his work used in this way.”

Lessons from Literary Criticism for the Supreme Court

Of Mice and Men is popular with middle and high school students, yet legal authorities continue to misread the author’s intention, as noted in Liptak’s story. The Supreme Court’s decision regarding the Lennie standard seems certain to set a precedent for legal debate about the death penalty, so understanding what Steinbeck intended matters. Judges like source citations, and reviewing literary criticism written around Steinbeck’s intention in Of Mice and Men may clarify their thinking. The brief summary of literary criticism that follows is intended to spare Steinbeck from further misreading as arguments over eugenics, euthanasia, and the Lennie standard unfold in the courts.

Of Mice and Men is popular with middle and high school students, yet legal authorities continue to misread the author’s meaning.

Fundamental to the death penalty debate is understanding what Steinbeck meant by having George execute Lennie at the end of the novel. Charlotte Hadella and critics have questioned the inevitability of this ending, the so-called mercy killing carried out by George at Slim’s urging as something that must done to spare Lennie from being lynched. George looks up to Slim, a figure of respect whose word counts among the menon the ranch. But Slim’s motives are murky, and he is associated with earlier killings in the novel—the shooting of Candy’s dog and the elimination of Lulu’s unwanted puppies.

Fundamental to the death penalty debate is understanding what Steinbeck meant by having George execute Lennie at the end of the novel.

Likewise, Louis Owens’s reading of the novel revolves around “the various deaths that punctuate the story,” beginning with Slim’s drowning of four puppies from Lulu’s litter. Carlson takes the opportunity to agitate for saving one puppy for Candy so that they can shoot Candy’s old dog, whose offense is that he “stinks.” In an attempt “to give his argument the kind of humanitarian bent euthanasia proponents prefer,” Carlson tells Candy it’s cruel to keep the dog alive—even though there is nothing to indicate that the animal is suffering or unhappy—and a killing of convenience suddenly seems inevitable. Candy appeals to Slim, who takes what Hadella calls “an enormous ethical leap” by saying he wishes someone would shoot him if he got “old and crippled” like the dog. Or like Candy himself, who Owens suggests may have cause to wonder whether Slim will decide to shoot him too someday. Like Lennie and Crooks, Candy is just the kind of character Curley’s wife calls weak—“unproductive,” “valueless,” inconvenient like his dog.

The Gun: Connecting Eugenics, Execution, and Fascism

Steinbeck makes the parallels between the dog’s shooting by Carlson and George’s shooting of Lennie unmistakable, for both are shot “in exactly the same way with the same gun.” As Owens notes, “Dog and man are both annoyances and impediments to the smooth working of the ranch. One stinks and one kills too many things.” When the body of Curley’s wife is discovered, George’s first impulse is humane, to capture Lennie and lock him up so he won’t be a danger to society. But Slim objects. Using the rationale that justified killing Candy’s dog, Slim argues that Lennie would be better off dead than incarcerated—in Slim’s words “locked up, strapped down, and caged.” Slim, Owens observes, “is playing God.” Significantly, the gun used for these killings is described as a Luger, according to Owens a deftly emphasized detail intended by Steinbeck to associate them with eugenics and fascism in Germany.

The gun used for these killings is described as a Luger, according to Owens a deftly emphasized detail intended by Steinbeck to associate them with eugenics and fascism in Germany.

In support of this point, Owens demonsrates Steinbeck’s familiarity with studies of eugenics whose conclusions were used to justify the forced sterilization of those deemed defective by the Heredity Court in Hitler’s Germany. Their Blood Is Strong, the title of the predecessor to The Grapes of Wrath, shows Steinbeck’s familiarity with when he wrote Of Mice and Men. As Owens points out, the ominous repetition of the word Luger in the novel clearly connects “the supposed ‘mercy’ killings of the novel with the rise of Fascism in Germany.”

Their Blood Is Strong, the title of the predecessor to The Grapes of Wrath, shows Steinbeck’s familiarity with eugenics when he wrote Of Mice and Men.

In the light of literary criticism, then, Of Mice and Men can be understood as a cautionary tale written in response to current events. Accepting Lennie’s and the dogs’ deaths as inevitable, as mercy killings that simply must be done, is contrary to Steinbeck’s meaning, the act of misappropriation pointed out by Thomas Steinbeck in his comments about his father and capital punishment. Furthermore, Slim’s inviting George to have a drink after shooting Lennie is an invitation to accept a worldview in which life is nullified—the Nazi world of eugenics, euthanasia, and extermination. This worldview is reflected in current political rhetoric about racial purity, national identity, and the justification of police violence and mass deportation.

This worldview is reflected in current political rhetoric about racial purity, national identity, and the justification of police violence and mass deportation.

Both presidential campaigns remind us that the sanctity of the Supreme Court depends on the outcome of the election. Both would benefit from understanding the moral questions raised by John Steinbeck in Of Mice and Men. Where is our compassion? Who will care for the Lennies of our world today? As for the Supreme Court as presently constituted, I have this advice: read Steinbeck’s novel—closely, slowly, carefully, paying attention to details—and read with your heart, as Steinbeck intended for all his books. Though it may seem so sometimes, America isn’t Nazi Germany. Don’t use Steinbeck’s story as an excuse to execute those who are mentally ill or intellectually handicapped because they don’t pass the Lennie test.

Suggestions for Further Reading

Hadella, Charlotte Cook. Of Mice and Men: A Kinship of Powerlessness. New York: Twayne Publishers, 1995.

Heavilin, Barbara A. John Steinbeck’s Of Mice and Men: A Reference Guide. Westport, Connecticut, 2005.

Owens, Louis. “Deadly Kids, Stinking Dogs, and Heroes: The Best Laid Plans in Steinbeck’s Of Mice and Men.” Steinbeck Studies. (Fall 2002), 1-8.

John Steinbeck in Los Gatos: The Progressive Politics Behind The Grapes of Wrath

Image of Charles Erskine Scott Wood

Charles Erskine Scott Wood

Recently an enterprising Italian high school teacher named Enzo Sardarello blogged about John Steinbeck’s Los Gatos neighbor Charles Erskine Scott Wood, a Whitmanesque author and painter and an energetic advocate for progressive politics during the era leading up to the writing of The Grapes of Wrath. Before studying law in the East, Wood served as an infantry officer in the Nez Perce Indian war of 1877; as a defense attorney in Oregon and guru of progressive politics in Los Gatos he opposed U.S. imperialism, advocated for Indian rights, and espoused birth control, free thinking, and free love. Between 1925 and 1944, his powerful personality and Los Gatos home attracted a host of artists, writers, and celebrities, including Charlie Chaplin, Ansel Adams, and John Steinbeck. Sardarello’s post about this chapter in Steinbeck’s life is a reminder that international interest in The Grapes of Wrath—written in Los Gatos during the time Steinbeck knew Wood—continues today, and that Steinbeck had more congenial neighbors in Los Gatos when he lived there than Ruth Comfort Mitchell, the Republican novelist whose reactionary response to The Grapes of Wrath is the subject of a summer exhibit at the Los Gatos history museum.

Report on Japanese-Americans in Monterey Herald Recalls John Steinbeck, Internationalist

Image of John Steinbeck with reporters at 1957 PEN conference in Tokyo

According to a report by Monterey Herald writer Carly Mayberry, the Japanese American Citizens League Hall in Monterey, California has a World War II-era letter, signed by (among others) John Steinbeck, welcoming the Japanese to the city Steinbeck later left because, he said, he no longer felt welcome there. The April 25 Monterey Herald story notes that the 90-year old building was given to the Monterey chapter of the Japanese American Citizens League by an organization called the Japan Businessman Association in 1942, the year the United States entered World War II after the Japanese attack on Pearl Harbor.  Steinbeck—an advocate of constitutional rights for all citizens—protested the Japanese internment that followed as immoral and unnecessary. But he was also a realist. During their 1940 expedition to the Sea of Cortez, he and his friend Ed Ricketts (who also signed the welcome letter) lamented the damage being done to the fragile ocean floor by Japanese commercial fishing. Later they tried unsuccessfully to interest the U.S. government in Japanese-sponsored scientific research documenting the underwater geography of the Pacific, where Japanese and American forces fought bitterly for supremacy throughout World War II. That conflict ended in August 1945, when American bombers dropped nuclear weapons on the Japanese cities of Hiroshima and Nagasaki. Japan eventually recovered, and Steinbeck eventually visited Tokyo, speaking at a 1957 writers’ meeting ten years after the trip he made to Soviet Russia with another international-minded friend, the French-Hungarian photographer Robert Capa. Ten years later he traveled to Southeast Asia, the final leg in a life journey that ended back on the Monterey Peninsula, where his wife, sons, and sisters scattered his ashes in 1968. Observing the family’s wish for privacy, the Monterey Herald declined to report on the event.

From The Grapes of Wrath to Cesar Chavez: A New Life of Fred Ross, Social Activist And Community Organizer

Cover image of Gabriel Thompson's life of community organizer Fred Ross

Barack Obama’s time as a community organizer was brief. But the long career of Fred Ross, the legendary community organizer who followed Tom Collins and Harold Tefft at the migrant camp portrayed in The Grapes of Wrath, extended from the 1930s to the era of Cesar Chavez, the California labor leader who made boycott a household word in America, 25 years after Steinbeck wrote his novel. The versatile life and lasting influence of Ross—a teacher, social worker, and activist for workers’ rights—are the subject of America’s Social Arsonist: Fred Ross and Grassroots Organizing in the Twentieth Century by the journalist Gabriel Thompson, published this week by the University of California Press. The following excerpt from the book was chosen by the author and is used with his permission.—Ed.

 Image of Tom Collins and migrant mother

On his first day at the Arvin camp, Ross was shown around the camp by departing manager Harold Tefft. When a drunk resident approached and let loose with a string of curses, Tefft shoved the man to the ground and began pummeling him in the face.

Ross had unknowingly walked into a firestorm. Several weeks earlier, more than a hundred residents had signed a handwritten petition requesting the removal of Tefft and sent it to the FSA [Farmer Security Administration] headquarters in San Francisco. They accused him of entering the women’s bathroom without warning, ignoring decisions made by the camp council, and “beating the Osborne child with a handsaw.”

It was an ironic turn of events at what had been considered the crown jewel of the migrant camps. The first manager of Arvin was the brilliant Tom Collins, a slight man with a square jaw and finely trimmed mustache who took the Okies’ cause as his own. Raised in an orphanage, Collins had trained for the priesthood, managed a school system in Guam, and aspired to write novels (one of his unfinished books was titled “Oklatopia”). “He is one of the most unusual persons I have ever met,” wrote one FSA director, “with infinite capacity for good work and at his best when he is nearly killed with work.”

The first manager of Arvin was the brilliant Tom Collins, a slight man with a square jaw and finely trimmed mustache who took the Okies’ cause as his own.

When John Steinbeck visited the camp while gathering material for The Grapes of Wrath, he was impressed by what Collins had accomplished. “I want to thank you for one of the very fine experiences of a life,” he wrote. “I hope I can be of some help.” Collins became Steinbeck’s “migrant liaison,” with the pair traveling the valley to visit and assist desperate farmworkers. (It was while traveling with Collins that Steinbeck helped families who had been washed out during the tremendous floods of 1938.) Steinbeck would partially dedicate The Grapes of Wrath “to Tom who lived it,” and he portrayed the Arvin camp as a utopian paradise.

In the book, the Joads have fled a squatter camp to arrive at Weedpatch in the middle of the night, exhausted and filthy. A security guard welcomes them and explains the basics: the camp has running water and toilets; police aren’t allowed inside without a warrant; an elected committee of workers makes the rules. The Joads, who have thus far suffered one misfortune after another, are incredulous. Tom asks the guard, “You mean to say the fellas that run the camp is jus’ fellas—camping here?” The guard replies, “Sure. And it works.”

That utopia, no doubt idealized by Steinbeck, was in shambles when Ross arrived. The elected council was moribund and most of the recreational events, which Collins believed so central to creating a sense of community, had been scrapped. In his last report, Tefft did hit one positive note, writing that he had been warmly received after addressing a group of farmers, who appreciated his efforts “to cooperate with them in furnishing labor at the established wage scale.” The established wage scale was miserly. Tefft, essentially, was being thanked by growers for convincing camp residents to work for low wages without complaint.

That utopia, no doubt idealized by Steinbeck, was in shambles when Ross arrived.

Ross set out to repair the damage done by Tefft. Although the manager held ultimate power at the camp, on both a personal and professional level Ross needed the residents to like him. “I wouldn’t have been happy if even one person had been against me,” he later said. After moving into the manager’s quarters, he began to visit residents at the crack of dawn, before they headed out to the fields, moving from tent to tent, making small talk, and drinking huge amounts of coffee. It was the perfect training ground for an organizer. The camp had its share of stubborn folks—it took a certain amount of stubbornness to keep going after the hardships they’d endured—and while they appreciated good company as much as the next person, they were weary of patronizing attitudes. “Hypocrisy, pretense, insincerity, lack of interest in their problems and in them—these evils we can never hide from them,” wrote Collins, who wasn’t immune from occasionally striking patronizing tones himself. While sympathetic to the plight of the migrants, some in the FSA viewed them as stunted creatures unable to grasp basic concepts, or mounds of so much clay that reformers needed to reshape in their image. The buzzword of the day was “rehabilitate,” which captured the arrogance of this position. One supervisor, visiting Arvin in 1936, wrote that the migrants “seem almost childlike at times, as indeed they are.” They weren’t childlike, of course. They were poor.

Like Collins, Ross was fascinated by the migrants. “What started out as a way to win them [over],” Ross later said, “almost immediately became a driving interest to be around them, learn about them, pick up their stories. If you are really interested, listening comes naturally.” As he had with Mulligan, Ross chatted for hours, soon becoming a member of what he called the “spit and argue” club, an informal group that held long, rambling discussions. His curiosity and sympathy won many over. One resident called the previous managers at Arvin “educated men, who have never done any real work,” and likened them to “dictators.” He considered Ross, on the other hand, “an educated man but when he came here he acted as one of the boys. . . . He didn’t act one bit better than his staff or the people in the camp. And he’s always got time to say a few words to you.”

Within months, the visits were bearing fruit. “Practically all traces of the recent difficulties at Arvin Camp have disappeared,” wrote a supervisor after visiting. “Mr. Ross is doing an excellent job of promoting camper recreation and activities.” By the fall, communal events were held every night of the week, a new council was elected, a co-op store was formed, and a camp newspaper, the Tow Sack Tattler, was being published.

Image of Woody Guthrie and Fred Ross

Luke Hinman showed up at Arvin in early September, just as the cotton harvest was getting under way. Tall and skinny, wearing a ragged leather jacket and driving a junk heap of a car, he looked every bit the hardened radical he was. Five years older than Ross, the ex-Wobbly had joined the Communist Party, volunteered for the Abraham Lincoln Brigade, and returned from Spain to fight on behalf of farmworkers. He was coming off a weeklong stint in jail, the result of supporting striking workers in Marysville, and asked Ross if the camp’s community hall was available.

Hinman was the statewide director of the United Cannery, Agricultural, Packing and Allied Workers of America (UCAPAWA). Established in 1937 and affiliated with the upstart
Congress of Industrial Organizations (CIO), the union sought to organize the “unskilled” field workers long ignored by the American Federation of Labor (AFL). Had he arrived earlier in the year, Hinman would have been sent packing: under Tefft, the camp council had banned union meetings and forbidden the posting of union material on the bulletin board. But the arrival of
Ross signaled a change in politics. When growers publicly burned The Grapes of Wrath and Kern County pulled it from libraries and schools, residents at the camp sent a letter of protest, while passing a well-worn copy of the banned book from tent to tent. The editor of the new camp paper was a CIO activist, and he filled the pages with militant slogans—“An Injury to One Is an Injury to All”—and poems with unsubtle titles like “Join the Union.” The council voted to allow the CIO inside, and soon Hinman and another organizer, Wyman Hicks, were spending their nights talking union with residents in their tents. Ross often poked his head in to listen, amazed at the audacity of their project: two broke but fearless organizers, responsible for the entire state, were itching for a fight against the powerful growers. When it got late, Hinman and Hicks bedded down on the patch of grass beneath Ross’s window.

The battle lines being drawn were over what constituted a “fair wage” for cotton pickers. California’s newly elected liberal governor, Culbert Olson, had pegged muckraking journalist Carey McWilliams to be the state’s commissioner of immigration and housing. McWilliams, no friend of big growers, moved quickly, tripling the number of labor inspectors and hosting a public hearing in Fresno, where he determined that a fair cotton rate for the season was $1.25 per hundred pounds picked. The growers balked, offering 80 cents. While the state couldn’t enforce the higher wage, McWilliams promised that any worker who refused to work for less wouldn’t be cut from the relief rolls. Big growers “screamed like banshees,” but McWilliams didn’t back down. It was such policies, and his hard-hitting exposé of big agriculture, Factories in the Field, that would cause the Associated Farmers to label McWilliams “Agricultural Pest No. 1 in California, outranking pear blight and boll weevil.” In the coming years, the paths of Ross and McWilliams would frequently intersect, with Ross coming away deeply influenced by McWilliams’s analysis of farm labor. Decades later, Ross would insist that United Farm Workers volunteers read Factories in the Field to better appreciate the nature of the beast they were up against.

The battle lines being drawn were over what constituted a ‘fair wage’ for cotton pickers.

UCAPAWA launched a strike in Kern County on October 9, 1939, calling for the $1.25 wage rate. The strike, coming soon after publication of The Grapes of Wrath, caught the attention of the John Steinbeck Committee to Aid Agricultural Organization, which was chaired by Helen Gahagan Douglas, a future congresswoman and wife of movie star Melvyn Douglas. Members of the committee raised money for UCAPAWA and traveled to the Arvin camp to hand out clothing and shoes. Also visiting was a frizzy-haired, guitar-toting Woody Guthrie, who, along with movie star Will Geer, became a frequent guest at the camp. Guthrie was coming off a stint as the “hobo correspondent” for a newspaper called the Light, for which he had traveled the state to visit migrant camps. Many of the migrants knew him from his radio program in Los Angeles, The Oklahoma and Woody Show, and at Arvin he stood in front of a crowd, strummed his guitar and belted out, “I ain’t gonna pick your 80 cent cotton / Ain’t gonna starve myself that way.”

Before long, Geer and Guthrie were sleeping on the grass under Ross’s window, alongside the two union organizers. Ross was enthralled with Guthrie, admiring his natural ease with the campers and the way he used his songs to stiffen the backbones of the strikers. That fall, when Ross began writing a weekly segment in the camp paper, he titled it “The Feller Sez,” taking inspiration from Guthrie’s “Woody Sez” column published in the People’s Daily World, a Communist paper out of San Francisco. During the strike, Ross asked Guthrie to write a letter for the camp paper. “Go tell the Ass Farmers and the vigilantes I said go take a long, tall, flying suck at a sunflower,” wrote Guthrie, with characteristic bravado. “Tell ’em I said go ahead and pay you guys that $1.25.”

In Arvin, the walkout began promisingly, with workers shutting down a number of fields. It was an exhilarating experience for Ross, who reported that nearly every camp resident refused to scab. Relief work had been eye-opening but ultimately frustrating: Ross had witnessed the grinding poverty of his clients, but there was little to do but express sympathy and make sure their meager checks arrived on time. But in the strike people were fighting back. Ross ignored orders from the West Coast director of the FSA, Laurence Hewes, to remain neutral. In the camp paper, Ross used his column to stress the need for cooperation, criticizing the “man who’ll work for less wages than all of his neighbors.” The Tow Sack Tattler announced that a picket line would be thrown up around every cotton field, reminding readers of the “very unpleasant word for those who cross the line.” Ross woke early each morning to watch caravans of strikers leave the camp and chase scabs from the fields. His partisanship was so overt that one resident would pen a letter to Ross’s supervisor complaining that the camp was “practically run” by the union, that Ross was a “strong member” of the CIO, and that the camp was no longer a place “for us honest and non-communists to live in.”

In Arvin, the walkout began promisingly, with workers shutting down a number of fields.

Hewes, the FSA director, didn’t consider the strike a “legitimate labor dispute” but instead saw it as a “put-up job” by Communists, whose only goal was violence. But Ross had no such cynicism. He had been to the fields and watched growers cheat workers out of their already pitiful wages, claiming the cotton they picked wasn’t “clean.” He knew many went hungry, and he heard reports of frustrated parents who, driven mad by the constant whimpering of their malnourished children, beat them into silence. This was no manufactured crisis, and the Communists who helped organize the strike were heroes to Ross. Yvonne, too, became swept up in the cause, serving as the secretary of the Bakersfield chapter of the Steinbeck Committee.

But Hewes was certainly right about one thing—attempts at organizing farmworkers were often met by violence. The strike centered around five cotton-growing areas: Arvin, Corcoran, Pixley, Visalia, and Madera. In the Arvin region, strikes were called at 150 ranches, but growers had little problem finding replacement workers, and the strike was effectively broken within two weeks. The same pattern played out elsewhere, with the notable exception of Madera, north of Fresno, where 90 percent of the workers struck. In response, two hundred growers attacked unarmed strikers at the city park, swinging pick handles and clubs. With strike leaders bloodied and Governor Olson refusing to intervene, the union put on a brave face. “Clubbed, But Still We Strike” ran a leaflet headline, promising more action. But the crackdown had done the trick.

Although unsuccessful, the strike left a deep impression on Ross, who considered his two years at Arvin among the most “supercharged” periods of his life. In his writings, Ross later claimed that the strike was the largest in the history of the San Joaquin Valley, but it wasn’t: a far larger cotton strike occurred in 1933, made up overwhelmingly of Mexican workers. The 1939 strike was instead the last notable conflict of the 1930s, a tumultuous decade that saw more than 127,000 California farmworkers engage in at least 140 strikes. Ross knew this history very well and likely exaggerated the size of the strike to dramatize the experience. But this exaggeration also likely reflected an emotional truth: for someone with a front-row seat, the strike was an exhilarating and unforgettable experience, at once cautionary and inspiring.

Setting the Stage for John Steinbeck’s Grapes of Wrath: Richard Henry Dana at 200

Image of Moby Dick illustration by Rockwell Kent

Cover image from Two Years Before the MastRichard Henry Dana, Jr., the author of Two Years Before the Mast, was born 200 years ago in Massachusetts, the home of Dana’s famous Founding family, and of John Steinbeck’s paternal grandparents as well. Growing up, Steinbeck read Dana’s autobiographical account of life along the California coast in the early 19th century–as noted by the artist Tom Killion, the earliest writing, in English, that describes the California coast from the perspective of the sea. New England roots, adventure fiction, California coast: cause enough for Steinbeck fans to celebrate Richard Henry Dana’s bicentennial. But Two Years Before the Mast is also a masterpiece of social-protest literature, like The Grapes of Wrath, and helped set the stage for Steinbeck’s novel. Details of Dana’s life are worth mentioning in 2015, two centuries after his birth and 75 years since the appearance of The Grapes of Wrath. They connect Dana’s era and output with those of Steinbeck—and with the New England artist Rockwell Kent, who wrote popular books of travel, illustrated books by others (including Moby Dick, above), and espoused socialism, pacifism, and opposition to American foreign policy during Steinbeck’s lifetime.

Richard Henry Dana and the Power of Fiction to Change

Image of Richard Henry Dana, Jr., author of Two Years Before the MastBorn into a Boston Brahmin family of politically progressive lawyers, writers, and legislators, Dana grew up at a time when flogging was routine punishment on ships like the Pilgrim, the California-bound brig he sailed as a merchant seaman after dropping out of Harvard at the age of 19. Like John Steinbeck—who became a college-dropout merchant seaman, briefly, in 1925—young Dana employed fiction as a vehicle to focus public attention on an egregious injustice experienced personally, the brutal mistreatment of sailors at sea. The Grapes of Wrath, written 100 years after Dana drafted Two Years Before the Mast, dramatizes the mistreatment of Dust Bowl migrants through the struggles of a fictional family caught in a Dickensian system of injustice and oppression; Dana’s autobiographical novel describes the pain and suffering of his fellow-sailor Sam, “a human being made in God’s likeness—fastened up and flogged like a beast!” Following the publication of Two Years Before the Mast in 1840—exactly 100 years before Steinbeck’s Sea of Cortez expedition along the Baja, California coast—flogging at sea finally ended, a process Dana helped hasten in his career as a maritime lawyer and legal writer. Though he never wrote another novel, he returned to the California coast in 1859, adding a postscript to later editions of Two Years Before the Mast describing the changes he observed.

Image of untitled print by Rockwell Kent

Two Years Before the Mast exposed an evil practice, just as Harriet Beecher Stowe’s Uncle Tom’s Cabin and Julia Ward Howe’s “John Brown’s Body”—the source of Steinbeck’s “Grapes of Wrath” title—excoriated slavery and advocated abolition, the other great cause to which Richard Henry Dana devoted his long life. The Emancipation Proclamation made slavery illegal in the United States in 1863, and Dana served as U.S. counsel at the trial of Jefferson Davis, the president of the Confederacy, after the Civil War. Ironically, a bloody war fought 75 years later served to integrate poor families like the Joads into the American economy, ending the conditions dramatized in The Grapes of Wrath. Like The Grapes of Wrath, Two Years Before the Mast was written in a turbulent time, and has never been out of print. Dana’s classic, still rewarding reading for Steinbeck fans, is full of resemblances to elements in Steinbeck’s work, including memorable descriptions of the California coast, meditations on social and economic policy, and an Easter Sunday chapter reminiscent of Sea of Cortez.

Dana, Steinbeck, and Rockwell Kent: An American Legacy

Image of Rockwell Kent, American artist-activistUnlike John Steinbeck, Richard Henry Dana was a polished speaker who advocated progressive policy from a position of social strength and achieved celebrity without being demonized. A closer parallel to Steinbeck in this regard can be found in the life of Rockwell Kent, a gruff adventurer who was born in 1882, the year Dana died, and who managed to outlive Steinbeck by two years. Kent’s writing, autobiographical in source, was realistic. His art was visionary, allegorical, and mythic. His illustrations of works by Chaucer, Shakespeare, and Melville—the American author most influenced by Dana, and an inspiration for Steinbeck—are particularly powerful, so impressive that one wishes he’d been commissioned to illustrate The Grapes of Wrath, a book he read with the recognition of a kindred spirit. Like Steinbeck, Kent rejected conservative politics, revealed religion, and conventional morality. Like Steinbeck, he espoused free living and engaged in social issues with a passion uncharacteristic of his parents and peers. Like Steinbeck, he married repeatedly, traveled relentlessly, and found an appreciative audience in Russia, where he journeyed in 1967 after a fight with the federal government over his passport. In a televised Cold War confrontation, Kent defied Senator Joseph McCarthy, pleading the Fifth Amendment not because he was a communist (he wasn’t), but to show solidarity with American artists and authors blacklisted for being sympathetic to socialism (which he was).

Image of drawing by Rockwell Kent

Though Kent failed to produce a magnum opus comparable to The Grapes of Wrath or Two Years Before the Mast, he deserves attention as an artist-activist equal in passion to John Steinbeck and Richard Henry Dana and—based on his courage—even worthier of praise. A biography of Rockwell Kent equal in scope to Jackson Benson’s life of Steinbeck should be written to increase appreciation of Kent’s achievement, preferably from the angle being taken by William Souder in his new book about Steinbeck: “Mad at the World.” Meanwhile, Dana’s bicentennial has produced a splendid biography by former Vermont Supreme Court Chief Justice Jeffrey L. Amestoy, aptly titled Slavish Shore: The Odyssey of Richard Henry Dana Jr. The recent Vermont Public Radio interview with Amestoy about the writing, publication, and impact of Two Years Before the Mast will strike a familiar note with fans of Steinbeck and The Grapes of Wrath. From rural New England to the California coast, the social-protest theme in American literature is an enduring legacy. It began with Richard Henry Dana 200 years ago.

Why Steinbeck Matters: Bernie Sanders’s Bill of Rights Speech at Georgetown University Recalls Franklin Roosevelt

Image of Bernie Sanders as a student and Franklin Roosevelt as President

Google “Bernie Sanders-Georgetown University” for proof that John Steinbeck still matters. Sanders, the progressive Senator from the State of Vermont who is running for President of the United States, echoed Steinbeck’s greatest novel and channeled Franklin Roosevelt, Steinbeck’s favorite President, during a passionate speech to students at Georgetown University on November 19. Advertised as “Sanders on socialism,” the hour-long address called for the enactment of an “economic bill of rights” for all Americans, first envisioned in 1944 by Franklin Roosevelt in a speech delivered not long before Roosevelt died. In it Roosevelt said that true freedom requires economic security for everyone: the right to a decent job at a living wage, adequate housing, and guaranteed healthcare. Sanders agrees, adding freedom from corrupt campaign financing to Roosevelt’s litany of change. Steinbeck, a lifelong Democrat, met Franklin Roosevelt on several occasions, and Eleanor Roosevelt became an ally and, later, a friend. But in 1944 Steinbeck felt disappointed with America and depressed about the future. His experience reporting from Italy on World War II shook him badly, his domestic life was a mess, and his best period as a writer of socially conscious fiction lay in the past. His siblings were Republicans and he was trying to go home again.

Bernie Sanders, the progressive Senator from the State of Vermont who is running for President of the United States, echoed Steinbeck’s greatest novel and channeled Franklin Roosevelt, Steinbeck’s favorite President, during a passionate speech to students at Georgetown University on November 19.

Still, Steinbeck’s writing of the 1930s is evidence that, if asked, he would have supported Roosevelt’s economic bill of rights in 1944. Steinbeck’s 1939 masterpiece, The Grapes of Wrath, dramatizes the same Depression-era America that Roosevelt described in his 1937 inaugural address as “ill-housed, ill-clad, and ill-nourished.” Sanders quoted Roosevelt’s 1937 line at Georgetown University, building his case on Roosevelt’s policies and employing statistics to back up his assertion that Americans are underemployed, over-incarcerated, and sicker than they should be, despite unprecedented national wealth. Alone among the current crop of candidates in either party, he views the growing gap between rich and poor as a moral outrage equivalent to the Great Depression, one that requires legislative remedy through political revolution. Sanders began his hour-long speech at Georgetown University in anger but closed in hope. He called for political revolution on the Franklin Roosevelt model, but he also gave shout-outs to Martin Luther King, Jr., Lyndon Johnson, and King Abdullah of Jordan in his position statements on foreign and domestic affairs. Judging by audience response, his listeners got the message, and his biggest applause lines were worthy of John Steinbeck: black lives matter, social injustice is evil, and immigrants make America strong.

Image of Bernie Sanders at Georgetown University

“Corporate media” ranks high on Bernie Sanders’s list of oligarchies to be overthrown by breakup, along with Wall Street banks, drug manufacturers, and the billionaires who buy elections. As a result, the mainstream coverage of his campaign to date has been biased, misleading, and focused on surface rather than substance. Despite its depth and drama, his Georgetown University address—the most detailed articulation of his views so far—was no exception. News stories about the speech the next day were as scarce as copies of The Grapes of Wrath in Kern County, California. When TV talking heads deigned to mention Sanders’s revival of Roosevelt’s economic bill of rights, most mumbled “socialism” before moving on to friendlier content: Hillary Clinton’s emails, Donald Trump’s demand for the deportation of undocumented Mexicans, and Ted Cruz’s call for closing America’s borders to Muslims in response to the terrorist attacks in Paris. Like John Steinbeck in The Grapes of Wrath, Bernie Sanders’s campaign has stirred deep animosity within power structures that control the system. They hate being exposed, and as Steinbeck learned they fight back.

Like John Steinbeck in The Grapes of Wrath, Bernie Sanders’s campaign has stirred deep animosity within power structures that control the system. They hate being exposed, and as Steinbeck learned they fight back.

They called Steinbeck a communist. Sanders, like Roosevelt, they dismiss as a socialist. A plum-toned aristocrat sometimes described as a traitor to his class, Roosevelt fought “economic royalists” from both parties and welcomed their scorn. Sanders, who comes from Brooklyn and faults Democrats for acting like Republicans, admires Roosevelt’s attitude and quotes him frequently, as he did at Georgetown University. Compared with Roosevelt, however, Sanders is a roughneck speaker who still sounds like a New Yorker. He said “crap” early in his remarks at Georgetown University and admitted that, like Steinbeck at Stanford, he didn’t apply himself as an undergraduate at the University of Chicago in the early 1960s (see photo). In the 1950s Steinbeck supported Adlai Stevenson, a polished and erudite Illinois progressive who lost two elections to Dwight Eisenhower, a man with a vocabulary so limited that Steinbeck said it disqualified him from being President. During the period Bernie Sanders was demonstrating for desegregation rather than doing his homework at the University of Chicago, Steinbeck’s political affections moved on to Lyndon Johnson, an unpolished President who talked tough while reviving Roosevelt “socialism” in landmark legislation—civil rights, Medicaid, Medicare—that Sanders praised in his November 19 address. The dead no longer vote, but if Steinbeck were alive today I think his big heart would be with Bernie Sanders. Watch the video of Sanders’s Georgetown University speech and see if you agree:

“Self-Protection”: Film Documents Steinbeck’s Application for a Gun License in New York State

new-york-state-gun-license

The film “Steinbeck: Armed with the Truth (And a Colt Automatic)” came about after Paul Boczkowski and Marie Wainscoat of Longtimers Productions, a California company, viewed a gallery exhibition I helped put together six or seven years ago in Pacific Grove with my wife Nancy and the prominent marine biologist Robert Brownell, a student of Ed Ricketts as well as John Steinbeck. The idea for the exhibition was born when a man sent me a copy of the application for a gun license that Steinbeck submitted in New York State on May 12, 1942. In his application Steinbeck sought permission to carry two concealed revolvers for “self-protection.”

New York State Gun License Fires Interest in Pacific Grove

The person who sent me the gun-license application worked for a museum and felt the application was important enough to be made public. The subject of Steinbeck and guns already had my attention, and I agreed. Some years earlier I had spoken with a Salinas woman who told me that sometime in the mid-to-late 1930s she had witnessed Steinbeck being threatened by a man with a gun, perhaps hired by others, who was upset about what he felt Steinbeck was writing. We called the exhibition—which included artwork, letters, and documentation—“Steinbeck: Armed with the Truth (And a Colt Automatic).” The producers kept the title for their film about the show. “Steinbeck Fully Loaded,” a Sunday magazine feature, appeared in the Monterey County Herald.

I also wrote a piece about Steinbeck’s gun license application for an innovative literary-blog website called Red Room that, unfortunately, no longer exists. Before the site went out of business, Paul Douglass—at that time the editor of Steinbeck Review—picked up on my post. This led to my writing a pair of articles for the journal in the spring of 2008 and the fall of 2009.

Since that time, my account of Steinbeck and guns has appeared in a number of periodicals and books, though no one bothers to notify me before they publish it. The gun license episode tied in with other stories and historic tidbits about Steinbeck I had picked up while writing for the Monterey County Herald, operating a Pacific Grove art gallery with a literary bent, and co-curating the inaugural art exhibition at the National Steinbeck Center in 1998.

Monterey County Sources Inspire Stories About Steinbeck

My sources were often people who had known Steinbeck well, or their descendants. Two were classmates of John in Salinas. Another was the daughter of a Monterey County cop who corresponded with Steinbeck after the writer left California for New York, and who shipped Steinbeck several revolvers via railway express. A fourth was the son of a Monterey County Herald editor who became a good friend to Steinbeck and helped him find a Big Sur mountain lion as a gift for the people of England—an incident I used in a book of stories that I wrote about Steinbeck’s life in Monterey County and New York State.

I call the series “Almost True Stories from a Writer’s Life.” The stories reflect the portrait of Steinbeck painted by my sources: a complex man of great gifts, deep compassion, and capacity for fun, traits overshadowed by very real and very dark threats experienced by Steinbeck in Monterey County. Some of my stories include artists, the secondary theme of the film. Artists were important to Steinbeck throughout his lifetime: he numbered them among his friends and felt not only comfortable, but also safe with them. When you have as many enemies as Steinbeck did, I learned, “safe” becomes important.

Which is why he applied for that gun license on May 12, 1942.

Sample “Almost True Stories from a Writer’s Life” in Steve Hauk’s Archive.—Ed,

J. Edgar Hoover and Me: Undercover for the Federal Bureau of Investigation During the Vietnam War

Composite image of Jody Gorran and J. Edgar Hoover

As an ambitious George Washington University student during the Vietnam War, Jody Gorran came to share John Steinbeck’s dim view of J. Edgar Hoover. Becoming an undercover operative for the Federal Bureau of Investigation and posing as a member of Students for a Democratic Society led to a personal crisis of conscience, changing his mind about politics and altering his plans for a government career. An avid Steinbeck reader, he relates his education in the turbulent politics of the Vietnam War era, explaining how he became involved with the FBI and why he risked reprisal by extricating himself from the agency following an accidental George Washington University building takeover that caused injury and led to punishment. His account, published here in his own words with photos he supplied, provides fresh insights into a divisive period in the life of America, John Steinbeck, and a college freshman on the front line of domestic dissent. The parallels with Steinbeck’s life and times are striking, and the lessons Jody learned still apply.—Ed.

Readers familiar with John Steinbeck’s life already know that the federal government snooped on American citizens at home long before 9/11. The Federal Bureau of Investigation opened a file on Steinbeck as early as 1942, annoying the controversial author and motivating his letter to a highly placed contact in the Roosevelt administration complaining about J. Edgar Hoover. As dramatized in Steinbeck’s published fiction and noted in his private correspondence, city police departments around the country were also poking into people’s lives, even in his hometown of Salinas. Military intelligence agencies had long noses, too—one reason Steinbeck didn’t get the commission he hoped for when the U.S. entered World War II. America’s security-state apparatus expanded exponentially in the cold war that followed , a period of aggressive domestic surveillance justified in the name of anti-Communism. When John Steinbeck died, I was a college freshman. Four months after his death, I got caught in the same net that snagged him three decades earlier. This is the story of my education.

George Washington University: The Place To Be in 1968

As an 18-year-old student at George Washington University, I wound up playing an unplanned part in the national security excesses of the Vietnam War protest era. American campuses became covert battlefields where J. Edgar Hoover’s agency waged undercover war on dissidents, often in complicity with local police. Like Steinbeck, my parents had been young adults during the Great Depression and trusted government, encouraging me to focus on academics so I could get well-paying federal job with a pension. As I considered various colleges, I thought majoring in political science made sense for someone, like me, contemplating a foreign service career with the State Department. At the time, Washington, D.C., seemed like the best place to be for my particular goal. What happened after I enrolled at George Washington University changed my politics and my career plans.

What happened after I enrolled at George Washington University changed my politics and my career plans.

Before registering for the fall 1968 term, I spent the summer working as a Fuller Brush Man in my hometown of Highland Park, New Jersey. Unlike Steinbeck, I enjoyed door-to-door sales, which earned me money and got my entrepreneurial juices flowing. While reading a direct marketing sales magazine one day, I noticed an ad offering distributorships for a new product called the Paralyzer, a pocket-sized tear gas canister designed for personal protection. D.C.—a high-crime city where riots occurred—seemed like a natural market. In my ambitious 18-year-old mind, who better than me to supply the demand for security anyone could carry in a pocket or purse?  I scrapped together the money I needed to secure start-up inventory and started my side business, unaware that I’d set off a chain reaction that would alter the course of my life at and after George Washington Unversity.

Image of the self-defense device that led Jody Gorran to the Federal Bureau of Investigation

Coming-of-Age Politics in the Anti-Vietnam War Era

Despite my ambition, I arrived at George Washington University in the fall of 1968 apathetic about partisan politics, pretty typical for kids with my background. Though a certain percentage chose to attend colleges in the District of Columbia because they were engaged by current events, this was long before the internet, social media, and cable TV brought daily news into every den and dorm room. Even with the Vietnam War raging and John Steinbeck’s unpopular friend Lyndon Johnson on his way out as president, having a student deferment served to insulate most college students from what their government was doing in Southeast Asia—let alone on campus.

Even with the Vietnam War raging and John Steinbeck’s unpopular friend Lyndon Johnson on his way out as president, having a student deferment served to insulate most college students.

But I became curious about what was taking place in the nation’s capital on Election Day that November. The George Washington University chapter of Students for a Democratic Society, also known as SDS, had tried to stage a march from the Lincoln Memorial to Lafayette Park across from the White House to protest the election, a close contest between Hubert Humphrey and a man Steinbeck hated—Richard Nixon. Anti-Vietnam War protests had disrupted Humphrey’s nominating convention in Chicago, where Mayor Daley’s police overreacted in force and may have cost his party the election. Tension was high when Election Day protestors at George Washington University were denied a permit to demonstrate by D.C. authorities. They marched anyway until they were forced back onto campus by the Metropolitan Police Department.

Tension was high when Election Day protestors at George Washington University were denied a permit to demonstrate by D.C. authorities.

I was standing on George Washington University’s urban campus, made up of intersecting city streets, when I noticed a crowd of demonstrators headed my way and crossed the street to get a better look—just as the police moved in. Suddenly, a cop ran by swinging a club, hitting me on the back and forcing me to the ground. One of many bystanders who were attacked without warning, I was less than happy about the behavior of the police. When I heard about an SDS meeting being called to discuss what occurred, I was curious to find out what had happened to others and decided to go. I knew next to nothing about Students for a Democratic Society, but I learned soon enough.

I knew next to nothing about Students for a Democratic Society, but I learned soon enough.

Students for a Democratic Society started at the University of Michigan in 1960 with a political manifesto known as the Port Huron Statement, formally adopted at the organization’s first convention in 1962. Drafted by Tom Hayden, a University of California anti-Vietnam War activist, it faulted the political system of the United States for failing to achieve international peace and critiqued Cold War foreign policy, particularly America’s super-sized military arsenal and the very real threat of nuclear war. Vietnam War opposition aside, SDS was pretty close to John Steinbeck’s thinking on domestic issues, including racial discrimination, economic inequality, and the big corporations, big unions, and political parties that benefited most from the accelerating arms race.

Students for a Democratic Society started at the University of Michigan in 1960 with a political manifesto draft by Tom Hayden, a University of California anti-Vietnam War activist.

It has been suggested that Steinbeck sent his sons to fight in the Vietnam War out of loyalty to LBJ, whose First Lady was a childhood friend of Steinbeck’s wife. I don’t know enough to comment. But when Johnson escalated the conflict in February 1965 by bombing North Vietnam and sending American troops to fight the Viet Cong in South Vietnam, SDS chapters on American campuses staged small, localized demonstrations against the Vietnam War, coordinated through the group’s central office in New York, which led in organizing the national anti-Vietnam War march on Washington in April that year. By then there were 52 SDS chapters in the United States, and America’s mainstream media began to pay attention. The youthful New Left—misunderstood and distrusted by most adults of John Steinbeck’s generation—had arrived. The Vietnam War-era draft provided a particularly potent calling card for student recruitment, and college protests spread. Back in Washington the government’s most experienced Communist-hunter, J. Edgar Hoover, was watching. The Federal Bureau of Investigation may have lost interest in John Steinbeck by 1965, but a hot wind was rising on campuses from California to New York, and J. Edgar Hoover knew how to stop a storm.

The youthful New Left—misunderstood and distrusted by most adults of John Steinbeck’s generation—had arrived.

Protests became more and more militant throughout the winter and spring of 1967. Actions aimed at Army recruiters on college campuses accelerated, and demonstrations against Dow Chemical Company—the manufacturer of Napalm—added a combustible element to the anti-Vietnam War mix. New Left Notes, the newspaper of the movement, was creating a sense of coherence and solidarity among local SDS chapters; when Madison riot police injured and arrested students protesting the presence of Dow employee-recruiters at the University of Wisconsin in October, the growing national network was electrified. Four days later, 100,000 people marched on the Pentagon, with hundreds of protestors injured and arrested. Nighttime raids on local draft offices became more common, and a million students boycotted classes on April 26, 1968. The shutdown at Columbia University in New York—known, simply, as the Revolt—received major media attention, and SDS became a household word. Although I wasn’t aware of it at the time, the stage was set for my personal political awakening.

Image of anti-Vietnam War protest at George Washington University

My First Date with the Federal Bureau of Investigation

The day after the November 1968 election, someone I happened to remember seeing at the George Washington University SDS meeting must have recognized me as a guy who had pocket-sized tear gas canisters for sale, because a few weeks later he approached me with an offer. Would I be willing to sell him a large quantity of Paralyzers from my supply?  As a budding businessman, I liked the idea because sales so far had been less than robust.  Because I was now paying attention to political news, I also understood clearly from our conversation that the proposed purchase was directly related to the presidential inauguration—an event I suspect contributed to the death of John Steinbeck, a passionate anti-Nixonite, six weeks after Richard Nixon’s election. In what lawyers like to call an abundance of caution, I declined the deal, a rational decision that failed to save me from J. Edgar Hoover’s unwanted attention. Someone was already watching me.

I also understood clearly from our conversation that the proposed purchase was directly related to the presidential inauguration—an event I suspect contributed to the death of John Steinbeck, a passionate anti-Nixonite.

On the evening of January 8, 1969, there was a knock at my George Washington University dorm room door. The two men standing in the hallway identified themselves as Secret Service agents and said they’d gotten word that I was going to sell my tear gas canisters to demonstrators for non-peaceful use during Nixon’s swearing-in. When I explained that I turned down the guy from the SDS meeting who had approached me, they suggested that they hold on to my inventory for safe keeping until after the inauguration.  Sensing that they didn’t trust me, I agreed—and I was worried. I came to George Washington University because I wanted a government career, and as they talked all I could think about was how I could prove my loyalty and keep the incident from ruining my future. John Steinbeck had goaded J. Edgar Hoover in a well-written letter. I was afraid of the man, so I just improvised. Was there any way I could prove my loyalty, I asked? Maybe, they said. The Secret Service didn’t need campus operatives . . . but the Federal Bureau of Investigation did.

Image of author Gore Vidal, an early critic of Vietnam War domestic surveillance

How J. Edgar Hoover Kept Up with the Joneses at the CIA

So why would the Federal Bureau of Investigation consider someone like me useful? Readers of Brian Kannard’s book Steinbeck: Citizen Spy are aware of the government’s secret surveillance program called COINTELPRO, a clunky acronym for an elusive enterprise created in 1956 to ferret out suspected Communists, including Steinbeck’s friends and (from J. Edgar Hoover’s point of view, no doubt) Steinbeck himself. Though the acronym stands for “Counterintelligence Program,” the Federal Bureau of Investigation’s targets were not enemy spies but American citizens considered radical and worth eliminating through exposure, harassment, and prosecution for real or imagined political crimes—an FBI version of the kind of covert action for which the CIA, its rival agency, was criticized by writers like Gore Vidal.

The Federal Bureau of Investigation’s targets were not enemy spies but American citizens considered radical and worth eliminating through exposure, harassment, and prosecution.

Under the new program, Hoover’s headquarters instructed its field offices to propose schemes to “misdirect, discredit, disrupt and otherwise neutralize” individuals and groups considered dangerous to the status quo. Close coordination with local police and prosecutors was encouraged, but ultimate authority rested with top FBI officials in Washington, who demanded assurance that “there is no possibility of embarrassment to the Bureau.” More than 2,000 individual actions were officially approved. The methods used, uncovered long after the fact, confirm John Steinbeck’s suspicions about J. Edgar Hoover’s dark side:

  1. Agents and undercover informers were to discredit and disrupt, not simply spy on subjects of interest.
  2. Agents and police collaborators were to wage psychological war on approved targets through bogus publications, forged correspondence, and anonymous letters and calls.
  3. Harassment, intimidation and violence, eviction, job-loss, black bag operations and break-ins, vandalism, grand jury subpoenas, false arrests, frame-ups, and physical violence were to be threatened, instigated, or executed to intimidate activists, mislead the public, and disrupt protest plans. When challenged, officials were to deny, conceal, or fabricate legal pretexts for their actions.

Image of redacted page from Jody Gorran's Federal Bureau of Investigation file

J. Edgar Hoover Needs You: You’re in the Agency Now!

Of course I knew none of this at the time. As I pondered my approach to the Federal Bureau of Investigation the day after my visit from the Secret Service, I saw a notice about that evening’s SDS meeting at George Washington University. I attended out of curiosity, my first regular SDS meeting. The guest speaker was a Mr. Al McSurly, who made statements advocating the overthrow of the government of the United States, though not violently. His comments didn’t sit well with me, and I thought that telling the FBI about the meeting and the speaker could serve as my ticket to J. Edgar Hoover’s forgiveness. The following day I walked down to the FBI’s Washington Field Office, known as the WFO—then located in the Old Post Office Building. There I was escorted to a small office where I spoke with an agent and signed on. From that point forward events moved quickly.

I thought that telling the FBI about the meeting and the speaker could serve as my ticket to J. Edgar Hoover’s forgiveness.

I was asked to join the George Washington University SDS chapter, as well as the national group, and to provide written reports on the activities of the organization and its members.  I would be paid $15 for each report, plus expenses. While I could generally choose the subjects of my reports based on discussions with my FBI handler, from time to time I would receive instructions about specific subjects or events that J. Edgar Hoover’s people wanted me to research or attend and report.  I was provided with a direct telephone number where I could leave messages for my handler, along with a code number for reporting. I was told that the Federal Bureau of Investigation would perform a field background check on me—just as they had on John Steinbeck, without warning, three decades earlier.

I was told that the Federal Bureau of Investigation would perform a field background check on me—just as they had on John Steinbeck, without warning, three decades earlier.

My first assignment was to attend a regional SDS conference being held across town at American University. There I learned that the national organization had decided in December to stay out of inauguration demonstration events in January. Instead, a group called Mobilization Against the War in Viet Nam would handle these activities. I also met the Washington Regional SDS coordinator, a 24-year old named Cathy Wilkerson who I later learned was a major focus of agency attention. To me Cathy seemed an unlikely agitator, the child of parents in Connecticut and a graduate of Swarthmore College. I was even younger than she was, but I was learning fast—though not, I soon discovered, fast enough to avoid the crisis of conscience that would derail my relationship with the Federal Bureau of Investigation.

To me Cathy seemed an unlikely agitator, the child of parents in Connecticut and a graduate of Swarthmore College.

The first 60 days of my undercover activities were cataloged by the FBI in documents obtained under a Freedom of Information Request I filed years later. Here is what my handler wrote about my work:

Gorran has voluntarily expended an estimated 69 hours in attending SDS meetings and the National Mobilization Committee counter inaugural activity. He has furnished 29 pertinent photographs, and his written reports have totaled approximately 44 pages.

Gorran has been volunteering information on members and activities of the GW SDS as well as the activities of members of the Washington Regional SDS. He has attended one SDS Regional Meeting in Wash DC and a two-day Eastern Regional meeting held at Princeton, NJ. Gorran has also furnished timely information and photos concerning the recent student agitation at American University.

On 2/15/69, Gorran, at risk to his personal safety, voluntarily furnished a vast amount of invaluable information, not otherwise obtainable, in connection with the Center for Emergency Support sponsored St Valentine’s Day Teach-In on the Police. This information included over 200 names of individuals of interest to the Bureau, with current addresses and organizational affiliations. Many of these names and organizational affiliations were not previously known to the WFO. Also included in this information was data concerning 28 financial disbursements made by the organization, the current financial status of the organization and miscellaneous notes, memos and material relating to this organization.

What my handler failed to mention was that this information was obtained through an illegal black bag operation—in this case, a literal black bag. Though compliance was voluntary on my part, I had been tasked to snatch a briefcase containing the information from its location at the rear of the crowded room in which the meeting was being held. It was simple. I got up, walked purposefully to the back of the room, carefully picked up the briefcase, exited the building, and headed for my George Washington University dorm two blocks away. My heart was in my throat the whole way, but  apparently no one saw me; the next day I took a cab downtown to the Greyhound Bus Station as instructed, placed the purloined briefcase in a locker, then delivered the key to my handler. I was given a $100 bonus for my boldness.

As my file shows, J. Edgar Hoover’s boys were pleased with me—for the moment:

Also according to the FBI, the information reported by Gorran has been current, detailed and accurate. His reports are considered very good to excellent. Of unusual value was Gorran’s detailed 12 page report and copies of proposals and materials concerning the SDS Eastern Regional Meeting at Princeton, NJ. The information furnished to date by Gorran has been corroborated by other sources and is considered to be 95 to 100 percent accurate.

In my interaction with my handler, I noticed that the more information I could provide regarding Cathy Wilkerson, the happier he seemed to be. But the bulk of my reporting concerned proposals that filtered down from the SDS national office through the Washington regional group. The implications of the protest plan called “Smash the Military in the Schools” would have appalled an egalitarian like Steinbeck. It exposed the problems encountered by campus military recruiters and the tracking systems supposedly used to ensure that African-American and Puerto-Rican students were shoved into the armed forces or toward menial civilian jobs when they finished high school.

Image of sample from an informant file kept by the Federal Bureau of Investigation

Visit Cuba, Courtesy of the Federal Bureau of Investigation

As part of my undercover job for the Federal Bureau of Investigation, I helped develop and distribute flyers in an effort to stop recruiting by Sikorsky and other military-equipment suppliers for the Vietnam War, and I warned fellow students, as instructed, about CIA recruitment activity at George Washington University. But there was also a chance to travel.  At one point my handler asked if I would like to visit Cuba during summer vacation, something SDS members seemed to find particularly appealing. Though the agency would pay my way, it couldn’t offer protection if I got arrested. Despite prodding, I declined.

At one point my handler asked if I would like to visit Cuba during summer vacation, something SDS members seemed to find particularly appealing.

Later I was assigned by my handler to tape-record a George Washington University speech by Hans Dietrich Wolff, a member of West Germany’s version of SDS.  Wolff’s main point—one that probably flattered as much as it frightened the Feds—was that a revolution in any country had to be coupled with a revolt in the United States. For some reason, Wolff’s plan to solicit funds in the U.S. to support German SDS activities appeared to interest the agency more than his vision of world revolution. Though he didn’t pass the hat at George Washington University, he did sell posters showing Karl Marx with a caption that read (in German) “Everyone talks about the weather. We don’t.”

For some reason, Wolff’s plan to solicit funds in the U.S. to support German SDS activities appeared to interest the agency more than this vision of world revolution.

I still couldn’t shake my concern about the FBI’s interest in sending me to Cuba. Frankly, I thought the CIA was a safer bet if push came to shove on foreign soil. After making an extra copy of my recording of Wolff’s speech, I took a cab to the CIA in Langley, Virginia, where I was admitted and handed over my tape. During my debriefing interview, the possibility of my going to Cuba with CIA oversight was discussed. Due to my doubts about the FBI, there I sat, offering myself up as a CIA asset, though the agency never followed through. Incredibly, I was able to walk into CIA headquarters unimpeded, though I needed a pass to leave. Whether or not John Steinbeck was ever involved with the agency, as Brian Kannard believes, I think he would have appreciated the irony.

Image of Federal Bureau of Investigation redactions in Vietnam War-Era files

Policemen, Polygons, and Vietnam War Protest Pressure

In mid-March of 1969 my handler informed me that due to agency cutbacks I was being asked to transfer my efforts from the Federal Bureau of Investigation to D.C.’s Metropolitan Police Department Intelligence Division—another irony worthy of a writer like Steinbeck.  Where the FBI gave me $15 per report on an a la carte basis, the MPD would pay me a flat fee of $60 a week.

As noted, the FBI had a close relationship with the MPD, and my former handler would still have access to the fruits of my labors. This time, however, instead of a number I was given the code name Polygon, a term meaning “many-sided figure”—Irony #3, since the head of the D.C. police intelligence division was a chip off J. Edgar Hoover’s shoulder who insisted that anyone opposed to the Vietnam War was subversive. This overreach resulted in surveillance of peaceful anti-Vietnam War organizations with a commitment to nonviolence, a bitter reminder that the civil rights leaders Martin Luther King, Jr. was targeted for character assassination by J. Edgar Hoover long before being killed by James Earl Ray in Memphis. Other big-city police departments were also active in surveillance against the New Left at the time, including New York, Los Angeles, and—of course—Richard Daley’s Chicago.

Martin Luther King, Jr. was targeted for character assassination by J. Edgar Hoover long before being killed by James Earl Ray Memphis.

Although the FBI always seemed to want to know everything, the Washington PD was only interested in clear and present danger. As a result my work became a matter of diminishing returns, despite the higher pay. While undercover I was never privy to the identities of other government operatives planted in local and regional SDS groups, though I sensed they were there. But legitimate SDS members tended to speculate amongst themselves about various individuals, especially non-students who hung around, showed up for meetings, and participated in campus demonstrations without having a known connection to George Washington University. I suspected that several of these characters were fellow agents: two in particular—a man named Smiley, who dressed poorly and claimed to be an army veteran, and a bearded guy I called Dave whom no one seemed to know much about. Smiley and Dave appeared to be friends.

Image of Adlai Stevenson, presidential candidate and critic of surveillance overreach

CONUS Once Shame on You; CONUS Twice Shame on Us

Because of Smiley’s supposed army service, I wondered if he might be working for military intelligence, which I later learned had expanded domestic surveillance activities significantly in the years following the failure of John Steinbeck’s friend Adlai Stevenson, a liberal, to win the presidency. These activities accelerated in the administrations of Lyndon Johnson and Richard Nixon as a result of  perceived threats posed by the civil rights movement, anti-Vietnam War feelings, and urban riots.  By 1965 a new intelligence command had been established at Fort Holabird, Maryland, to coordinate the work of counterintelligence agents at army commands throughout the United States., preparing daily civil disturbance situation reports on right-wing extremists, civil rights activists, and Vietnam War dissidents.

By 1965 a new intelligence command had been established at Fort Holabird, Maryland, to coordinate the work of counterintelligence agents at army commands throughout the United States.

By 1966 the U.S. Army’s Intelligence Command at Fort Holabird had broadened its civilian surveillance, including operations that clearly violated regulations and probably occurred without the approval of senior commanders. In 1968 it was renamed Continental United States Intelligence (CONUS Intel), producing daily computerized field reports on civilians assembled by more than 1,000 plainclothes agents who monitored civil rights and antiwar organizations, infiltrated radical groups such as SDS, and engaged in provocative and illegal acts to discredit protest efforts—just like the Federal Bureau of Investigation. The extent of CONUS Intel domestic military surveillance activities became the center of controversy when a former intelligence officer exposed its operations in the January 1970 issue of Washington Monthly magazine. Thirty years earlier John Steinbeck’s chance for a wartime commission had been sandbagged by the same military mentality, another case of “John was there first” in the troubling history of domestic spying on U.S. citizens.

Image of SDS members and FBI plants occupying George Washington University building

Barbarians at the George Washington University Gate

Things were heating up for both SDS and me at George Washington University on the evening of April 23, 1969, when the Black Panther film Pig Power was shown along with the Columbia University takeover documentary, Revolt. The well-publicized event drew a crowd of about 200 SDS members and non-members. Cathy Wilkerson, the subject of Federal Bureau of Investigation interest from Connecticut, was in the crowd, and so was I. At approximately 10 p.m. the leader of the local SDS chapter stood up and announced, “Our brothers have taken a building.  Let’s join them!” And we were off to nearby Maury Hall, the George Washington University  building that housed the Sino-Soviet Institute, a think tank with presumed military ties.

At approximately 10 p.m. the leader of the local SDS chapter stood up and announced, ‘Our brothers have taken a building.  Let’s join them!’

A group of 20-30 attendees proceeded down G Street past a row of George Washington University fraternity houses, where a claque of jeering frat boys decided to follow us to Maury Hall. When I reached the building the front door was open and a few people were standing around in the lobby near a cleaning lady with keys to the locked interior offices loosely tied around her waist. I remember that someone said we couldn’t ask her to give us the keys because it might get her into trouble while somebody else gently unsnapped her key ring and led us on. Fights broke out between the frat-boy hangers-on and student protesters who had just walked in. As the violence escalated, the SDS chapter leader’s wife was hit repeatedly, sustaining a serious blow to the head.

As the violence escalated, the SDS chapter leader’s wife was hit repeatedly, sustaining a serious blow to the head.

Soon the dean of students arrived and announced that the front doors would be locked for 15 minutes with us inside, then reopened so we could leave safely—clearly a command, not a request. The SDS leader with the injured wife suggested that we had made our point by peacefully entering the building and should comply with the dean’s order: the bullies outside were thirsty for blood, and we’d be smart to exit the building while we still had the chance. Others present, egged on by the mysterious Smiley, were adamant about remaining. A vote was taken about whether or not to leave Maury Hall. The chapter leader lost and we stayed.

A vote was taken about whether or not to leave Maury Hall. The chapter leader lost and we stayed.

In the end, the SDS barricade of Maury Hall at George Washington University was as unplanned as my involvement with the Federal Bureau of Investigation—something, as Steinbeck would say, that happened. The Greek-letter warriors outside were already climbing the fire escape to get in, literal barbarians at the gate. So we built barricades, using desks, chairs, and bookcases that we moved from fortified floors to those with exposed windows. I knew how the Romans must have felt with Goths and Vandals at the gate: when I looked out from the second floor window the crowd below was chanting jump, jump, jump!—Steinbeck’s Mob Man incarnate. I was disgusted with the goons, but I was also disgusted with myself. Furniture had been damaged, people had been hurt, and the occupiers had done nothing to deserve this. I wanted out—out of Maury Hall, out of J. Edgar Hoover’s paranoia, and (ultimately, I discovered) out of George Washington University.

The Greek-letter warriors outside were already climbing the fire escape to get in, literal barbarians at the gate.

At 3:00 a.m. the school’s vice president said we had to leave immediately or be subject to violating a federal court injunction that could expose us to penalties for contempt, including jail without trial. Within 30 minutes we had abandoned Maury Hall. Later that day several hundred George Washington University students and faculty members assembled in Lisner Auditorium to discuss the takeover. Some expressed support, others disapproval. I had already made up my mind when walked to the lectern to speak. “I know I’m going to get criticism from both sides,” I said. “But I have a confession to make. For the last four months I’ve been working as an undercover agent for the FBI and the Metropolitan Police Department Intelligence Division. I’m sick and tired of the repression of SDS. And I don’t care what the cops do to me now!”

At 3:00 a.m. the school’s vice president said we had to leave immediately or be subject to violating a federal court injunction that could expose us to penalties for contempt, including jail without trial.

My confession made quite an impression, and it wasn’t friendly. As I was escorted from the building by a group of SDSers, I saw Dave with the beard making a fast exit through a side door. I realized then that he was what I had suspected—another undercover operative. Like a character in a Steinbeck strike story, I seriously wondered if I was going to be killed. Instead, I was debriefed by Cathy Wilkerson, who obviously knew that she was the subject of ongoing surveillance by J. Edgar Hoover & Company. I made it clear to her and those listening that I was done with both sides of this conflict and wanted out. But not everyone was done with me.

Image of newspaper report on campus spying by the Federal Bureau of Investigation

Leaving the Federal Bureau of Investigation? Get a Lawyer

A week later, 14 other George Washington University students and I were charged with unlawfully seizing Maury Hall. The Federal Bureau of Investigation couldn’t and wouldn’t help me. Fortunately I had a good lawyer—myself. Though I was always paid in cash and had no check stubs to prove that I was working as an agency operative, the tape-recordings I had made of numerous phone conversations with my FBI and MPD handlers spoke volumes. I played the tapes at my hearing and George Washington University dropped the charges.

A week later, 14 other George Washington University students and I were charged with unlawfully seizing Maury Hall. The Federal Bureau of Investigation couldn’t and wouldn’t help me. Fortunately I had a good lawyer—myself.

In July the U.S. House of Representatives Internal Security Committee investigating SDS activities on college campuses subpoenaed me. (This was the successor to the House Un-American Activities Committee, the body that failed to call Steinbeck as a witness in its investigations of suspected writers and artists a decade earlier.) In my testimony I made it clear that anything I testified to had already been disclosed as part of my undercover work for the federal government. The Congressmen present appeared to know the answers to the questions they were asking, and it all struck me as little more than a public show. The only thing they seemed seriously concerned about was that I not go into too much detail about the FBI, something I couldn’t do and answer their questions honestly. (Did John Steinbeck also have information about government surveillance that Congress didn’t want to hear?)

Did John Steinbeck also have information about government surveillance that Congress didn’t want to hear?

Although I eventually transferred to Rutgers, I returned in the fall for another year at George Washington University. During an October afternoon walk off campus, I happened to find myself near the Washington Monument watching an anti-Vietnam War demonstration by a Mobilization Against the War group. Off to the right I noticed a uniformed army officer conferring with two men in J. Edgar Hoover attire—white shirts, dark suits, conservative ties, and trench coats. One was easy to recognize. It was Smiley, the SDS member who was so adamant about staying in Maury Hall despite the danger. I had never seen him dressed so well. Now I knew why: Smiley was an agent provocateur who encouraged people to do destructive things that they hadn’t planned on doing.

The second man was a harder to identify, but I managed. It was Dave with the beard, clean-shaven and spiffy.  I went up to him and said, “Hi Dave!—or whatever your name is. I always thought you and Smiley might be army intelligence and now I know for sure.” (I’m no Steinbeck and I don’t plan to write a story of betrayal featuring these characters, but someone probably should.)

Image of SDS member Cathy Wilkerson following her arrest for anti-Vietnam War activities

After the Fall: Cathy Wilkerson’s Unhappy Ending

On the morning of March 6, 1970, Cathy Wilkerson stumbled onto 11th Street in New York’s Greenwich Village in tatters, bleeding, her clothes shredded. Her father’s townhouse at 18 West 11th Street had just been blown to pieces, killing three members of the Weathermen group who were building bombs in the basement. After the explosion Cathy went underground for a decade, surrendering in 1980 and serving less than a year in prison. The only other survivor, Kathy Boudin, was captured in 1981 during the robbery of a Brink’s truck in which three people were murdered.

After the explosion Cathy went underground for a decade, surrendering in 1980 and serving less than a year in prison.

Following the takeover of Maury Hall in 1969, Cathy had been arrested and prohibited from setting foot on the campus of George Washington University, or any other college in the District of Columbia. Precluded from continuing the campus organizing she so enjoyed, she joined the Weathermen, the explosive group that evolved out of SDS two months after Maury Hall and adopted much more violent tactics.

Image of John Steinbeck, early target of investigtion by J. Edgar Hoover

J. Edgar Hoover, John Steinbeck, and America’s Aftermath

During the 1960s and 70s, COINTELPRO, CONUS, and other government surveillance programs distorted the public’s view of radical groups in a way that helped, as intended, to isolate them and to de-legitimize lawful political expression in America. The efforts of the Federal Bureau of Investigation in particular reinforced and exacerbated the weaknesses of these groups, making it difficult for sincere but inexperienced activists to learn from their mistakes and build solid, durable organizations opposed to the Vietnam War and domestic government overreach. Covert manipulation by undercover operatives, media manipulation, and agents provocateurs like Smiley eventually helped to push committed and seasoned activists such as Cathy Wilkerson to abandon grassroots organizing and join groups like the Weathermen, further isolating them and depriving peaceful protest movements of experienced leadership.

During the 1960s and 70s, COINTELPRO, CONUS, and other government surveillance programs distorted the public’s view of radical groups in a way that helped, as intended, to isolate them and to de-legitimize lawful political expression in America.

COINTELPRO succeeded in convincing some of its victims to blame themselves for problems the government created, leaving a legacy of cynicism and despair that has worsened with time. By operating covertly and illegally, the Federal Bureau of Investigation and police and army intelligence professionals were able to severely weaken domestic political opposition—a phenomenon unimaginable to John Steinbeck when he wrote his letter complaining about J. Edgar Hoover in 1942. It really happened, and for a brief period in the late 1960s I was a part.

COINTELPRO succeeded in convincing some of its victims to blame themselves for problems the government created, leaving a legacy of cynicism and despair that has worsened with time.

As for John Steinbeck’s alleged involvement with the CIA, I asked someone in a position to know more than most people about this controversial question. Commenting for background only, a former Deputy Director for Intelligence of the CIA explained the possibilities to me:

There were two ways a U.S. civilian might be used for intelligence gathering by the agency. He might be actively tasked by the operations directorate to obtain specific information or take a more passive role by simply being debriefed regarding any information he might have inadvertently obtained during his travels.” 

The former DDI added that, though he had absolutely no information about John Steinbeck, “the latter situation would have probably been the more likely scenario for Steinbeck if he had been providing any intelligence for the agency, but the former more active role could not be excluded.”