Archives for September 2016

Epithalamium: A Southern Ohio Wedding Poem

Image of Bridge of Sighs in Southern Ohio
It is truly breathtaking, this man-takes-mate-and-
mate-then-takes-him-too stuff. And, sure, I tear up—
teardrop fountains at the vows, that hopeful poetry
spoken alongside abject awareness of the awful
because the job is to balance the bad with Joy.

And, sure, I understand why we need hope
to challenge despair—when you hope you hear
Time lecture on the epistemology of the grave
but don’t want to crawl into a grave. Hope
is the forests in Ohio, Hocking County,

and so: a plaited garland in a bride’s hair.
Some days, Time says, Watch what is passing.
And it says: take courage if, and while, you can—
even here where parking is bad and the hillside
tattooed with the markings of past treacheries.

Photo of Bridge of Sighs by Roy Bentley.

Nick Taylor’s Double Switch

Image of Nick Taylor, pen name T.T. Monday

If you like baseball, detective fiction, and John Steinbeck equally, the Center for Literary Arts at San Jose State University has a double treat for you. Nick Taylor, director of the university’s Martha Heasley Cox Center for Steinbeck Studies, will read from Double Switch, his new baseball whodunnit, at a free event sponsored by the Center for Literary Arts in the Martin Luther King, Jr. Library, starting at 7:00 p.m. on September 22. The hero of Double Switch and The Setup Man, both published under the pen name T.T. Monday, is one John Adcock, an aging pitcher for a fictional San Jose team who risks life and career to catch bad guys and solve murders. Father Junipero’s Confessor, Taylor’s last non-pen name novel, was also a California thriller, based on historical events familiar to John Steinbeck, a history-minded baseball buff who wrote about his fondness for the game in an essay for Sports Illustrated.

Center for Literary Arts Teams Up with Steinbeck Studies

Image of Cathleen MillerSteinbeck admired versatility and advocated collaboration, at least in theory, so it’s likely he’d approve of Taylor’s pen-name persona and protean protagonist. The alliance forged by the Center for Literary Arts and the Steinbeck studies center to further the cause of creative writing at San Jose State University would also please the music-loving author, who married a San Jose native and bought LPs at a downtown record store. Cathleen Miller (left), the nonfiction writer who directs the Center for Literary Arts, explains the fruitful collaboration: “San Jose State University is fortunate to have three established organizations promoting literature on our campus, and they work together to support each other. The Steinbeck Fellows give readings each year at the Center for Literary Arts to benefit the community at large. They also help with another Center for Literary Arts project, our outreach to Mt. Pleasant High School, where the Fellows give talks to students. The Fellows also work with Reed Magazine, the oldest literary journal in the West, founded at San Jose State University in 1867. One of the Fellows also serves as the judge for the magazine’s short story contest, the John Steinbeck Award in Fiction.”

Mexican Independence: A State of Mind for Steinbeck

Image of 2016 Mexican Independence Day in neon

Mexican independence was more than a political movement for John Steinbeck, who traveled frequently to Mexico, studied Mexican history, and once said he wanted to move there to satisfy his curiosity and relieve the monotony of life back in Salinas, California. His novella The Pearl is set in Mexico. So are two films for which he wrote screenplays: The Forgotten Village and Viva Zapata! Sea of Cortez, his and his biologist friend Ed Ricketts’s account of their expedition to Baja, California, is as much about Mexican culture as it is about marine ecology. Steinbeck’s 1935 novel Tortilla Flat, his first commercial success, weaves Mexican characters and cultural traits into the rich tapestry of Monterey, California, a town that in Steinbeck’s time was “Mexican” in the same sense that Salinas was “Anglo.” Writing home from Mexico City in 1935, Steinbeck explained Mexico’s attraction: “It is impossible for me to do much work here. An insatiable curiosity keeps me on the streets or at the windows. Sometime I’ll come back here to live I think.”

Celebrating Mexico in John Steinbeck’s Salinas, California

Mexican independence of spirit drew John Steinbeck and his first wife, Carol, and it called him back repeatedly, usually in times of personal crisis, after their divorce. The Steinbeck expert Susan Shillinglaw—author of Carol and John Steinbeck: Portrait of a Marriage and editor of America and Americans, a Steinbeck anthology—detailed Steinbeck’s lifelong love affair with Mexico in a talk on Friday, September 16, at the National Steinbeck Center in Salinas, California, where she is the director. Timed to coincide with Mexican Independence Day, the event kicked off this year’s Big Read, a cultural-awareness-through-reading project of the National Endowment for the Arts. In the spirit of the day, it included an exhibit of items from the center’s Steinbeck-Mexico collection, Mexican-flavored music and food, and a tour of downtown Salinas, where Mexican-American citizens now comprise a majority of the population.

Image of Susan Shillinglaw and John Steinbeck anthology

Following Mexican Independence Day festivities in Salinas, Shillinglaw led a discussion of Sun, Stone, and Shadows: 20 Great Mexican Short Storiesthis year’s Big Read selection—for a Saturday afternoon crowd at the Monterey Public Library. Local Steinbeck lovers have a long relationship with Big Read, a national program that in its second year featured The Grapes of Wrath, the subject of On Reading The Grapes of Wrath, a superb reader’s guide written by Shillinglaw at the request of Steinbeck’s paperback publisher to mark the novel’s 75th anniversary. Exhausted by the controversy over The Grapes of Wrath—and the decline of his marriage to Carol—Steinbeck organized the 1940 Sea of Cortez expedition that included Easter in the Mexican town of La Paz, whose name embodies the serenity he was seeking. To Steinbeck, Mexican independence was a state of mind—one that Salinas, California is celebrating in this year’s Big Read series. Check out the National Steinbeck Center website for a schedule of continuing events.

In Dubious Battle Motion Picture by James Franco, Steinbeck Fan, Premieres

Image of scene from James Franco's motion picture of "In Dubious Battle"

Image of James FrancoMovie reviews, like book reviews, sometimes influence audience behavior. But as John Steinbeck proved, loyal fans often ignore reviews if they really like an author or an actor. When James Franco’s motion picture adaptation of In Dubious Battle is released in the U.S. later this year, it’s doubtful that fans of Steinbeck or Franco will be affected one way or the other by the breathless reviews and red carpet hoopla In Dubious Battle received at film festivals in September. Reviews were mixed following the movie’s premiere at the Venice Film Festival, but Franco won points for making the first motion picture adaptation of Steinbeck’s 1936 strike novel, and that may be what fans appreciate most when they see the movie for themselves.

Reviews were mixed following the movie’s premiere at the Venice Film Festival, but Franco won points for making the first adapatation of Steinbeck’s 1936 strike novel.

Franco reread In Dubious Battle while rehearsing the role of George for the Broadway stage revival of Steinbeck’s 1937 play-novella Of Mice and Men, which has been filmed twice despite being, in Franco’s view, far less suited for the screen than the earlier book. During a press conference at the Deauville Film Festival following Venice, he explained that he decided to make In Dubious Battle now because “as a storyteller [I knew] it would make a great movie” and because its “central conflict had a topical resonance” he felt audiences would understand. That point seemed lost on critics at the Venice Film Festival: some got facts wrong about the novel; others ignored Franco’s intentions and concentrated on his personality and appearance. The response from critics may be more discerning when Franco’s movie opens at the film festival in Toronto, where reviewers won’t have to explain Steinbeck’s story to readers, or the parallels between Steinbeck’s time and today.

Rebel with a Cause: Filming Faulkner and Steinbeck

Image of James Franco as James DeanWhatever the final verdict on the film, Franco also deserves credit for both directing and acting (as Mac) and for attracting an amazing cast, including Bryan Cranston, Vincent d’Onofrio, Robert Duvall, Ed Harris, Sam Shepard, Selena Gomez, and Natt Wolff. Franco has appeared in dozens of movies, and he’s best known by mainstream moviegoers for playing slapstick characters in Animal House pictures like The Interview. But he has portrayed intelligent characters intelligently in highbrow films and acted and directed in adaptations of novels by Faulkner even harder to film than Steinbeck.

Whatever the final verdict on the film, Franco also deserves credit for both directing and acting (as Mac), and for attracting an amazing cast.

Like Faulkner, Steinbeck learned his limits when he tried to write for Hollywood, and he preferred to leave the job of adapting to specialists like Franco’s friend Matt Rager, the screenwriter Franco turns to when he makes literary movies, including biopics about authors. In several of these films Franco portrays tormented artistes from Steinbeck’s era—including Hart Crane, James Dean, and Alan Ginsburg—about whom Steinbeck could be critical. Franco grew up in Palo Alto, where Steinbeck went to college, and he writes fiction that appeals to the kind of reader who, unlike Steinbeck, is naturally attracted to Crane, Dean, and Ginsburg.. Like these figures, and like Steinbeck, Franco follows his own drummer as an artist, and his fans—like Steinbeck’s—respond in the same spirit. For American fans, Franco’s independence, courage, and passion for Steinbeck are cause enough to celebrate the making of In Dubious Battle, despite ill-informed movie reviews at foreign film festivals.

Steinbeck Event Benefits Cesar Chavez Center

Image of Cesar Chavez

Francisco Jimenez, an award-winning children’s writer and Santa Clara University professor, will receive the John Steinbeck “In the souls of the people” award at a September 28 event benefiting San Jose State University’s Cesar Chavez Community Action Center. The award, which has been given in the past to such writers as Ruby Bridges and Khaled Hosseini, is sponsored by the school’s Martha Heasley Cox Center for Steinbeck Studies. As a boy Jimenez migrated to California from Mexico with his family, whose transient existence he compares to that of the Joads in The Grapes of Wrath. His first book, The Circuit: Stories from the Life of a Migrant Child (1997), won the Americas Award for Children and Young Adults Literature. After receiving his PhD, he joined the faculty of Santa Clara University, his alma mater, where he was CASE/Carnegie Foundation Professor of the Year in 2002. He is an especially sympathetic admirer of Cesar Chavez, the labor and civil rights leader who—with Dolores Huerta, a previous Steinbeck award winner—founded the National Farm Workers Association in 1962. The September 28 benefit, which begins at 7:30 p.m. in San Jose State University’s Student Union Theater, will feature Francisco Jimenez in conversation with Lalo Alcarez, the creator of “La Cucaracha,” the first nationally syndicated political cartoon by a Latino artist in the United States. General admission tickets are $20 and are available from the San Jose State University event center.

Image of Francisco Jimenez award event poster

Thinking of John Steinbeck? Pencil Your Own Blog Post

Image of someone thinking about a blog post on John Steinbeck, who wrote with a pencil

SteinbeckNow.com is the author website with an ambitious mission: to connect John Steinbeck, who preferred pencils, with readers accustomed to computers. Other American authors also have author websites. But most are designed for academics, or tied to venues or foundations raising funds for programs and projects. Steinbeck never wanted an academic title or degree; he even resisted when his home town attempted to name a school after him. Pitches for money made him uncomfortable and commercialism often made him angry. In this same spirit, the only non-academic author website that bears his name is non-commercial and focused on the present, not the past. Content comes from contributors who write for love, not money; new blog posts are published weekly, almost 300 since the site launched three years ago. Contributors, 48 to date, come from the United States, Europe, and Africa as well. Some write poetry, fiction, or drama inspired by Steinbeck’s life or work. A few are specialists who prefer to test their ideas online before writing their article or book. Most are amateurs who participate in Steinbeck’s books as he intended, with imagination. Thinking about John Steinbeck in a fresh or personal way? Put your thoughts in a blog post for the only Steinbeck author website created for readers like you. Content is curated and subject to editing, but turnaround is fast and layout looks appealing. Steinbeck thought imaginatively, then put pencil to paper. Now it’s your turn to write. Getting started is easy: email the idea for your blog post to williamray@steinbecknow.com.


When the Emperor Has No Clothes: A Life Poem about Donald Trump, Revealed at Last, from the Buckeye State

Image of Donald Trump's emperor-has-no-clothes statue

Not Nothing

I wonder if it matters to a working man
figuring dimensions in August-Ohio heat,
doing the math and rounding off, this fence
and how easy it makes letting the dog out.
Because I don’t say any of that right off.
He says he had a stroke. Almost died.
After the epiphany of a recent brush
with death, he says, “Donald Trump
isn’t the asshole that we think he is.”
As if, by not quite dying, he tunneled
out of a warren of the Forgotten to say
what he says. Before that, he has said
death isn’t something as much as not
nothing. We’re standing in the yard.
And he thinks this is wisdom. Stuff
you don’t hear every day. But he is
here to estimate how much he will
charge to paint the backyard fence,
my fence. “Both sides?” he asks—
as if there are worlds where painting
one side is nothing, especially the side
of your choosing, a beacon of bare wood
visible in all directions. From streetside
or next door. He doesn’t flinch or smile,
but I’m sure he’s kidding. Waiting on him,
I had read an article on artificial intelligence.
And the whole sick run-off about Trump now
strikes me as funny. Until he launches into
what it’s like, or what he says he thinks it’s like,
on The Other Side—having recently passed over
the big-yikes Metaphysical Fence, not the one
for the US-Mexico border. That not nothing.
He thinks he is the only person who can speak
of what he has experienced as a living, breathing
Ohioan. I’m listening how I suppose a painted
fence listens to silence. Yes, both sides, I say.